LOS ANGELES, Jan 11 — Wonder Woman 1984 led domestic box office charts for the third straight weekend without much in the way of competition.
The superhero sequel nabbed US$3 million (RM12 million) between Friday and Sunday, bringing its total in the US and Canada to US$32.6 million.
Overseas, the film grabbed US$4.7 million for an international tally of US$98.8 million.
With US$131 million in global box office receipts, the Wonder Woman sequel has outperformed most fellow pandemic-era releases.
Yet that doesn’t make up for the film’s mighty US$200 million production budget, which is to say the latest outing for Gal Gadot’s DC hero will almost certainly lose money for the studio.
Nonetheless, Warner Bros has already greenlit a third installment with Gadot and director Patty Jeninks on board.
The comic book adaptation was released simultaneously on HBO Max in an effort to buoy streaming service subscribers.
It’s unclear how many HBO Max users watched the movie, though the company touted record viewership.
Next weekend, Wonder Woman 1984 will be taken off HBO Max and it will only be available to watch in theatres until it reaches its traditional home entertainment window. It’s expected to return to the streaming platform a few months later.
A surprising bright spot for the Amazonian warrior has been Canada, where only 5 per cent of theatres are open and HBO Max is not available.
Warners released the film concurrently in any available cinemas and on premium video-on-demand, a rare strategy that wouldn’t have been tolerated by film exhibitors in pre-pandemic times.
Even more unprecedented, the studio actually divulged tangible digital sales, something that no Hollywood studio has be willing to share.
Canada’s pVOD model resulted in additional US$7.2 million in revenues from online platforms like iTunes and Amazon.
Outside of North America, Disney and Pixar’s Soul — which skipped US theatres to debut on Disney Plus — continues to pick up steam at the international box office.
The existential family film amassed US$8.9 million from 11 foreign countries, boosting its overseas total to US$47.3 million.
Chinese movie theatres have accounted for a bulk of that haul, with US$36 million in ticket sales coming from the Middle Kingdom alone.
It’s now the fourth-highest grossing Pixar movie ever in China and looks to overtake Finding Dory (US$38.4 million) for third place following Coco and Incredibles 2.
Without any new nationwide releases, a variety of holdovers rounded out domestic box office charts.
In second place, Universal and DreamWorks’ The Croods: A New Age pulled in US$1.8 million in its seventh week of release for a domestic tally of US$36.8 million. Internationally,
The Croods sequel crossed US$90 million after adding US$5.1 million from 17 overseas countries. Its global haul hovers at US$127 million.
The film is currently available on premium video-on-demand platforms as part of a deal forged between Universal and major exhibitors such as AMC and Cinemark.
Under the pact, the studio can put new titles on digital rental services after 17 days of their theatrical debuts.
In return, AMC and Cinemark get a cut of the profits and any open cinemas have fresh content to show on the big screen.
Another Universal title News of the World managed third place with US$1.2 million.
The Tom Hanks-led Western drama, directed by Paul Greengrass, premiered on Christmas Day and has collected US$7 million to date.
Netflix has international rights to News of the World.
Sony’s thriller Monster Hunter took in US$1.1 million, enough to land the No. 4 spot. After a month in theatres, the video game adaptation with Milla Jovovich has generated US$7.8 million.
Fatale, a psychological thriller with Hilary Swank and Michael Ealy, rounded out the top five with US$670,000 in its fourth weekend of release. That brings its total to US$4 million.
Focus Features’ revenge thriller Promising Young Woman secured US$560,000 over the weekend, finding itself in sixth place and putting its total at US$2.7 million.
Like The Croods sequel and News of the World, the film falls under its parent company Universal’s early VOD agreement.
Directed by Emerald Fennell and starring Carey Mulligan, Promising Young Woman lands on home entertainment for a premium price starting on January 15. — Reuters
