Life
No industry background, no shop, no Plan B: How three Sentul sisters built Pattushastra, Malaysia’s pioneer of Kanjivaram silk sarees
Sisters Suvitha (left) and Jeevitha unfold pure Kanjivaram silk for saree enthusiasts at their Petaling Jaya boutique during an open day celebrating 14 years of preserving the heritage of silk sarees. The sisters work directly with master weavers in India, giving Malaysians access to traditional handloom craftsmanship. — Pictures by Celestine Gerard

PETALING JAYA, Oct 22 — There was no business plan. There were no industry contacts and no family trade to inherit. The only capital was what three sisters had personally saved.

When Suvitha Rajasingam and Jeevitha Rajasingam registered Pattushastra on August 23, 2012, with their elder sister Kavitha Rajasingam behind them, they were, by their own account, simply three sisters from Sentul who had grown frustrated trying to buy a decent saree.

“We are sisters from Sentul — born and bred there — with absolutely no connection to the textile industry and no family background in business,” Jeevitha said. 

Their father was a consultant for roadworks; their mother was a homemaker.

“Every part of Pattushastra — from its identity and collections to its relationships with weavers and clients • was imagined, learned and built by us from scratch, one step at a time.”

Weavers in Kanchipuram, India, work a pure silk saree thread by thread on a traditional wooden handloom. A single Kanjivaram saree can take anywhere from one to several weeks to complete, depending on the intricacy of the design. Pattushastra sources its pieces directly from master weavers like them, with the sisters making frequent trips to bring this heritage to Malaysia and help keep the tradition alive.
In those early days, Kavitha played a quieter but crucial role. She supported the venture from the background and served as an advisor while her younger sisters found their footing.

Today, Suvitha and Jeevitha run the business day to day.

The problem that started it

The idea did not begin as a business idea at all. It began as consumer frustration.

While preparing for Kavitha’s wedding, the sisters found it near impossible to source authentic, reasonably priced Kanjivaram silk sarees. Their search eventually took them across the border to Singapore, where they hit the same wall.

“When we were shopping for our elder sister’s wedding, we just couldn’t find genuine Kanjivaram sarees at a fair price — not here, and not even in Singapore,” Suvitha said.

“Being raised in a middle-income family should never mean compromising on quality.”

That conviction, that genuine craftsmanship shouldn’t be gatekept by price, became in effect the company’s founding thesis.

Jeevitha (centre, in a black floral saree) unfold pure Kanjivaram silk for saree enthusiasts during an open day celebrating 14 years of preserving the heritage of silk sarees. The session proved an educational one, with guests leaving in awe of these handwoven masterpieces.
Bootstrapped, literally from home

There was no seed funding, no shop lot and no storefront to start.

“We could not afford a shop, so Pattushastra began from home,” Jeevitha says.

For more than a year, the sisters ran the business entirely out of their house. They secured their first rented shop lot in 2014, two years after registration.

The next leap came in 2021, in the middle of the pandemic, when the sisters decided to move into a space of their own: what they now call their Pattushastra boutique in Seksyen 11, Petaling Jaya.

It was a significant bet to make during one of the most volatile periods for retail in recent memory.

But it reflected a business built on long-term conviction rather than short-term timing.

Pattushastra’s Artisan Room, which holds a special place in the sisters’ hearts, features hand-painted and handloom cotton sarees made by single mothers and unemployed women from low-income communities in Kolkata. No two designs are repeated, so every saree in the room is one of a kind. Proceeds go to a non-governmental organization shelter, which passes the earnings on to the women behind each piece.
Growth without a growth-at-all-costs mindset

What makes Pattushastra’s trajectory notable isn’t just the bootstrapped origin story. It’s what the sisters chose not to do along the way.

By their own admission, there were moments when following the wider market, with cheaper, faster, mass-produced sarees, would have been the easier commercial path.

“We even tried to follow the direction of the market,” Suvitha said.

“But we gave up, because we simply could not do it.”

Instead, the business scaled by going deeper rather than wider. It built direct relationships with three master weavers who each oversee 50 to 80 looms for Kanjivaram silk, alongside weaving units in West Bengal and Varanasi for its broader artisan collections.

One of its West Bengal partners is an NGO in Calcutta that trains and employs women from underprivileged backgrounds.

The relationship doubles as social impact, though the sisters rarely frame it in those terms themselves.

Suvitha holds up a vibrant handloom saree in Pattushastra’s Artisan Room, where every piece is made by single mothers and women from low-income communities in Kolkata. With no two designs alike, each saree carries its own story, and proceeds go to an NGO shelter that passes the earnings on to the women who made them.
A customer base that outgrew its original market

Fourteen years on, the numbers the sisters are willing to put on the business remain deliberately vague.

They say they’ve never tracked total sales, though they estimate the figure at “thousands” of sarees.

What has scaled more visibly is the customer base itself. It began as a niche, local Indian clientele and now reaches Malay and Chinese customers domestically, as well as buyers as far afield as Singapore, Australia and Canada.

The age range has widened too, from senior citizens to Gen Z. That is an unusual spread for a heritage retail category typically assumed to skew narrowly toward a single generation.

Suvitha stands between two traditional handlooms during a visit to Kanchipuram, the temple town in Tamil Nadu that gave Kanjivaram silk its name. She travels to meet the master weavers in person and checks every stage of the weaving process to make sure each saree meets the brand’s standards before it reaches Malaysia.
The Next Chapter

Looking ahead, the sisters describe ambitions that sound less like a retail expansion plan and more like a positioning goal.

They want Pattushastra to be the name the market defaults to for significant occasions, and eventually, to take that positioning global.

“We aspire to take Pattushastra into the global market, carrying our artisans’ stories with us,” Jeevitha said.

The business started with three sisters, no capital and no industry playbook. Its horizon now is considerably longer than the one they set out with in 2012, and they are building it, as they tell it, one relationship and one saree at a time.

 

 

Related Articles

 

You May Also Like