LOS ANGELES, Nov 7 — Need a guide for what to watch Apple TV in November? Here's a curated list.

Stick (Season Two) (Trailer here) — A feel-good sports comedy about second chances! 

Release date: Wednesday, November 4th

Stick is a sports comedy series created by Jason Keller and starring and executive produced by Owen Wilson. Wilson stars as Pryce Cahill, an over-the-hill, ex-pro golfer whose career was derailed prematurely 20 years ago. After the collapse of his marriage and while working at an Indiana sporting goods store, Pryce hedges his bets, and future, entirely on a troubled 17-year-old golf phenom named Santi (Peter Dager). Stick is a heartfelt, feel-good comedy about a found family and their relationships set within the world of golf as it has never been shown before.

Awkwafina: The Unlikely Cook (Trailer here) 

Release date: Friday, November 6th

Hollywood actor and comedian Nora Lum (aka Awkwafina) is the descendant of restaurant royalty … but she can’t cook. Join the star on an inspiring culinary road trip as she learns the craft and attempts to revive her family’s beloved Chinese eatery.

12 12 12 (Trailer here) 

Release date: Friday, November 13th

Each episode of 12 12 12 unfolds across three timelines of a heist: the 12 months of planning, the 12 hours of the heist and the 12 days following it. The series follows a disgraced FBI agent (Anthony Mackie) and an American career criminal (Jamie Dornan) as they play a zero-sum game of cat and mouse across Europe. At the center of it all is the daring, epic raid on a bank vault deep beneath the streets of Zurich.

Being Heumann (Trailer here)  

Release date: Friday, November 13th

They wouldn’t take Judy Heumann’s phone calls, so she took their building. In 1977, a young disabled woman (Ruth Madeley) and a scrappy coalition of outsiders decide they’ve had enough. What begins as one impulsive act becomes the longest occupation of a federal building in American history, as hundreds spontaneously seize government offices and refuse to leave until the bureaucrat in their way (Mark Ruffalo) takes action. Bringing rebellion in all its forms to the hallowed halls, a movement’s accidental leaders struggle to find their path forward where none has ever been paved for them. Directed by Academy Award winner Siân Heder (“CODA”) and based on true events, Being Heumann is the revolutionary, irreverent and deeply human story of the least likely people trying to pull off the impossible and change the lives of millions.

Way of the Warrior Kid (Trailer here) 

Release date: Wednesday, November 25th

Middle school has been a nightmare for Marc (Jude Hill), a good kid who’s bullied by his classmates and feels like he’s behind in everything, from academics to P.E. to just making friends. That changes when his injured Uncle Jake (Chris Pratt), a decorated Navy SEAL, comes to spend the summer and recuperate with Marc and his mom, Sarah (Linda Cardellini). To help Marc defend himself, Jake devises an ambitious program he calls “Operation Warrior Kid” based on his SEAL training. Instead of teaching his nephew how to fight, Jake shows Marc what real courage is, facing down his own demons along the way. Based on the bestselling novel by former Navy SEAL Jocko Willink, “Way of the Warrior Kid” is directed by McG (Charlie’s Angels, Terminator Salvation) from a screenplay by Will Staples (Without Remorse, The Right Stuff).

Binge-watch this November!

The following titles will have all episodes available to binge-watch this November. 

Slow Horses (Season Six) (Trailer here) 

All episodes out now!

This darkly funny espionage drama follows a team of British intelligence agents who serve in a dumping ground department of MI5 due to their career-ending mistakes. Led by their brilliant but irascible leader, the notorious Jackson Lamb (Academy Award winner Sir Gary Oldman), they navigate the espionage world’s smoke and mirrors to defend England from sinister forces.

Dark Matter (Season Two) (Trailer here) 

Final Episode: Friday, October 30th

Hailed as one of the best sci-fi novels and celebrating the 10th anniversary of its release this year, “Dark Matter” is a story about the road not taken. In season one, the series followed Jason Dessen (Joel Edgerton), a physicist, professor and family man who — one night while walking home on the streets of Chicago — is abducted into an alternate version of his life. Wonder quickly turns to nightmare when he tries to return to his reality amid the mind-bending landscape of lives he could have lived. Season two picks up with the Dessens as they settle into a quiet life in a world that finally seems safe until the unimaginable forces them to run once again. As Jason’s obsession with the Box deepens, Daniela’s (Jennifer Connelly) growing paranoia pushes her to the brink, threatening to tear their fragile stability apart. Elsewhere, Amanda (Alice Braga) and Ryan (Jimmi Simpson) join forces in a desperate attempt to find their way home. With Blair (Amanda Brugel) determined to stop him, Leighton (Dayo Okeniyi) relentlessly chases his grand vision of creating a perfect world.

Brothers (Trailer here) 

Final Episode: Wednesday, November 4th

Brothers follows McConaughey and Harrelson, who play fictionalised versions of themselves, and whose lifelong friendship is thrown into chaos when they uncover a decades-old secret: they might actually be brothers. After Woody’s daughter’s wedding falls apart, he loads up the family and heads to Austin for an extended stay at Matthew’s ranch. But what begins as a healing getaway quickly spirals when Matthew’s mother, Ma Mac (played by Holland Taylor), accidentally lets slip a long-buried secret that the two friends might actually be brothers. As Woody turns the ranch upside down in pursuit of the truth, Matthew finds himself juggling an entirely different identity crisis: a potential run for Governor of Texas. The result is a heartfelt, chaotic and wildly funny story about friendship, family, fame and the messy line between myth and reality.

Knife Edge: Chasing Michelin Stars (Season Two)

Final Episode: Friday, November 6th

Witness thrilling highs and crushing lows as expert chefs pursue the ultimate award: a Michelin Star. Get unprecedented insight into the secretive judging process.

KUALA LUMPUR, Nov 5 — Ghosts and spirits have long been staples of horror films, but sometimes the most unsettling horrors come not from the supernatural, but from the cruelty people inflict on one another.

This is the central idea behind The Confessions of a Shaman.

This Thai horror-thriller directed by Natthanon Cholumpi explores grief, injustice and desperation through a story involving black magic while examining how personal suffering can drive people toward disturbing choices.

Thai horror cinema has long drawn inspiration from folklore, spiritual beliefs and occult traditions.

The Confessions of a Shaman uses these familiar elements as a backdrop to explore human suffering and the increasingly blurred boundaries between victim and perpetrator.

At the centre of the story is Tor, played by Teeradetch Metawarayut, whose life takes a devastating turn following a series of injustices.

Overwhelmed by grief, Tor turns to black magic in search of retribution, setting him on a path shaped by anger and increasingly disturbing choices.

Rather than relying solely on supernatural encounters to create fear, the film examines what drives Tor’s transformation, showing how personal tragedy can push someone toward darkness.

A box-office hit with a chilling Malaysian debut

The film arrives in Malaysian cinemas with an impressive commercial performance in Thailand behind it.

Following its Thai theatrical release on August 12, 2026, The Confessions of a Shaman reportedly collected THB120 million (approximately RM14.47 million) within its first five days, making it the country’s second-highest-grossing Thai film of 2026 at the time.

The film is produced with the involvement of M Studio, the company associated with Thailand’s successful Death Whisperer franchise, which has established a strong following among fans of Thai supernatural horror.

Adding to its appeal, Thai K-pop star BamBam, best known as a member of internationally recognised boy group GOT7, makes his feature-film debut with the production, offering another point of interest for audiences familiar with his music career.

The Confessions of a Shaman is also adapted from a popular spooky story featured on The Ghost Radio, one of Thailand’s best-known horror storytelling channels on YouTube, which boasts millions of subscribers.

Final thoughts

While The Confessions of a Shaman draws on familiar Thai horror elements, its exploration of grief, injustice and human cruelty gives the story a darker dimension beyond its supernatural premise.

Rather than presenting evil as something that exists only in the spirit world, the film suggests that the suffering people inflict on one another can be equally, if not more, terrifying.

Sometimes, the greatest horrors are not found among the dead, but created by the living.

The Confessions of a Shaman opens in Malaysian cinemas today, distributed by Barnstorm Entertainment, and also stars Shahkrit Yamnarm and Jelilcha Kapaun.  

KUALA LUMPUR, Nov 7 — From taking her first steps in the film industry to earning recognition on one of Asia’s most prestigious cinematic stages, rising Malaysian actress Mhia Firdaus is proving that her journey is only just beginning.

The young actress, who first caught attention through her performance in the critically acclaimed 2019 film Roh, has now achieved a significant milestone, becoming the first Malay actress to receive a nomination at the Golden Horse Awards for her role in Malaysian-Taiwanese production Sayang Sayang.

While she may initially have been recognised as the daughter of actress Farah Ahmad, Mhia has steadily established herself as a talent in her own right, taking on roles that challenge her abilities and allow her to explore different dimensions of acting.

Directed by Taiwanese filmmaker Tang Hsiang-Chu and produced by Malaysian filmmaker Jin Ong, Sayang Sayang is a social family drama in which Mhia portrays Mina, a deaf girl from a Muslim family who develops an interest in Muay Thai.

Beyond requiring her to undergo physical training, the role also challenged Mhia to communicate her character’s emotions through sign language, facial expressions and body movements rather than spoken dialogue.

Speaking to Malay Mail about her Golden Horse nomination, Mhia described the recognition as an almost unbelievable moment, admitting that she needed time to fully process the achievement.

“Honestly, it felt like a fever dream.

“It took me some time to process everything because it was never something I imagined would happen to me, especially at this stage of my journey.

“Personally, it means a lot because I know how much work, sacrifice and faith have gone into getting here.”

For Mhia, the nomination represents more than just a personal achievement.

She credited her family and the people who had stood by her throughout her journey, particularly those who continued to believe in her even when others questioned her abilities.

She also hopes the recognition will create more opportunities for Malaysian performers and encourage greater international appreciation of the country’s stories and filmmaking talent.

“I’m grateful to be part of that conversation,” she said.

Stepping into Mina’s world

What initially attracted Mhia to Sayang Sayang was the opportunity to step into the life of someone whose experiences were vastly different from her own.

Mhia Firdaus, the first Malay actress to earn a Golden Horse Awards nomination, is now looking ahead to more challenging roles as she continues to expand her acting repertoire. — Picture courtesy of Astro Shaw

Rather than approaching Mina simply as a character to portray, she wanted to understand the circumstances that shaped her, including her emotions, struggles and perspective on the world.

“I wanted to understand her, her circumstances and the emotions that shaped her, rather than simply play her from the outside.

“One of the biggest challenges was preparing myself physically and mentally for the role.

“I had to learn Muay Thai and diving, which were things that pushed me beyond my comfort zone.”

Filming during Ramadan added another layer of difficulty, as Mhia had to manage her energy throughout the demanding production schedule.

She also turned to her mother for discussions about Mina, seeking different perspectives to better understand the character’s motivations and emotional journey.

Perhaps the most demanding aspect, however, was learning to express Mina’s emotions through sign language.

Without spoken dialogue to rely on, Mhia had to communicate through subtle facial expressions, gestures and body language, placing greater importance on the smallest details of her performance.

“It pushed me to become more aware of the smallest details in my performance and reminded me that acting is not always about how much you say, but how honestly you can communicate something without words,” she said.

Learning to push beyond her limits

With Sayang Sayang having arrived in Malaysian cinemas on November 5, Mhia looks back on the production as an experience that has left a lasting impression on her.

Beyond the Golden Horse recognition, the experience taught her to recognise her own capabilities and embrace challenges, even when they initially seemed overwhelming.

“Sayang Sayang taught me that I’m capable of more than I sometimes give myself credit for.

“There were moments when I questioned whether I could keep up with the physical demands of the role, especially while learning things I had never done before.

“But I learnt to trust the process, put in the work, and allow myself to grow through the challenges.

“It also reminded me that being an actress means being willing to learn, to make mistakes and to be uncomfortable sometimes.

“I don’t think this project suddenly made me feel like I’ve become a completely different actress, but it gave me a better understanding of what I’m capable of when I commit myself to something,” she said.

The young actress, who first caught attention through her performance in the critically acclaimed 2019 film Roh, has now achieved a significant milestone, becoming the first Malay actress to receive a nomination at the Golden Horse Awards for her role in Malaysian-Taiwanese production Sayang Sayang. — Picture courtesy of Astro Shaw

Looking ahead, Mhia hopes to take on bigger and more challenging roles while remaining grounded and open to new experiences.

Reflecting on her journey, including her earlier appearance in Roh, she believes each production has played a part in shaping her as an actress, allowing her to understand her characters more deeply and discover new aspects of herself.

Her Golden Horse nomination has also given her a confidence boost, serving as encouragement to continue working hard and exploring her potential rather than resting on the recognition.

For a young actress still finding her footing in the industry, the nomination marks an important milestone.

But if her journey so far is anything to go by, it may only be the beginning of what she hopes to accomplish.

KUALA LUMPUR, Nov 6 — Tamil film star Vijay Sethupathi is set to present an award at the 54th International Emmy Awards in New York later this month, reportedly becoming the first Indian actor to do so.

According to The Times of India yesterday, Sethupathi will be among the presenters at the ceremony scheduled for November 23.

The development was first reported by The Hollywood Reporter India, which credited producer Kavita Gupta, a board member of the International Academy of Television Arts & Sciences, with helping secure his participation.

The academy has confirmed that this year’s ceremony will recognise 64 nominees across 16 categories, representing 22 countries.

Among the Indian productions nominated are Real Kashmir Football Club in the drama series category and comedian Vir Das’s Netflix special Vir Das: Fool Volume in the comedy category.

Das previously hosted the International Emmy Awards in 2024, becoming the first Indian to take on the role after winning an award in 2023 for his comedy special Vir Das: Landing.

Meanwhile, actress Priyanka Chopra previously presented an award alongside Tom Hiddleston at the 2016 Primetime Emmy Awards in Los Angeles, a separate ceremony from the International Emmys.

Sethupathi recently appeared in the Tamil film Baththa, in which he portrayed a gangster, and is reportedly set to star opposite Sai Pallavi in Mani Ratnam’s upcoming romantic drama Inji Vellam.

His 2024 Tamil thriller Maharaja has also attracted interest from Hollywood for a possible English-language remake following its success in China.

Producer Sudhan Sundaram told The Times of India in September that a Hollywood agency had approached the filmmakers for the remake rights and was working to bring a major Hollywood actor on board.

However, no casting or studio arrangements for the proposed remake have been officially announced.

KUALA LUMPUR, Nov 6 — Blackpink members Jennie and Jisoo are contributing songs to two upcoming animated films, Netflix’s Steps and Paramount Pictures’ The Angry Birds Movie 3, respectively.

According to a Yonhap report carried by The Korea Times today, Jennie recorded a song titled Someone to Hold for Steps, marking her first contribution to an animated film soundtrack, her agency OA Entertainment said.

Separately, The Hollywood Reporter revealed in an exclusive report on November 3 that Jisoo had co-written an original song titled Sun Showers for The Angry Birds Movie 3.

Jennie’s song accompanies an emotional sequence in Steps, which reimagines the Cinderella fairy tale from the perspective of her stepsisters, according to Netflix.

The singer said she enjoyed working on her first animated film soundtrack and appreciated the warmth and personalities of the characters.

Her song has also received a nomination in the Song – Animated Film category at the 2026 Hollywood Music in Media Awards.

Netflix has scheduled Steps for release on November 20, with Ali Wong, Stephanie Hsu and Amanda Seyfried among its voice cast.

Meanwhile, Jisoo’s Sun Showers is featured in the latest trailer for The Angry Birds Movie 3, which was released earlier this week.

According to The Hollywood Reporter, the song’s artwork features Shumon, a small dustball character Jisoo originally drew while attending middle school, before her debut as a K-pop star.

“With ‘Sun Showers,’ I wanted to capture the movie’s playful and bright energy through a fun, feel-good song that makes people want to smile and dance along,” she told The Hollywood Reporter.

The upcoming film follows Red, the franchise’s main character, as he navigates fatherhood while attempting to save the world.

Paramount Pictures has scheduled the film for a December 23 theatrical release, although Malaysian cinema chain TGV Cinemas currently lists December 31 as its local release date.

KUALA LUMPUR, Nov 6 — Local cinema is back in the spotlight, with Kudrat 1968 leading the Malaysian box office after raking in RM12 million, putting it among the country’s biggest local film successes of 2026.

Its rise to the top has seen it move ahead of international releases Clayface and Jailer 2, which now occupy second and third place respectively, despite continuing to draw positive responses from Malaysian moviegoers.

The competition extends to streaming platforms, where Netflix’s Doctor X: Mafia in White continues to lead its most-watched rankings, followed by newly released South Korean series Dead-End Job in second place.

On other platforms, The Hidden Hand (Dia Perempuan Sialan) remains a popular title on Viu, while Between Steps continues to attract viewers on Disney+.

From the latest big-screen releases and popular streaming titles to new music and books, Malay Mail rounds up what’s making waves in the entertainment world for you to catch this weekend.

Top 10 films in local cinemas (Domestic & International) (Oct 29 to Nov 1)

1. Kudrat 1968: High Council
2. Clayface 
3. Jailer 2
4. Lunar July
5. Street Fighter
6. BTS World Tour ‘ARIRANG’ In Buenos Aires: Live Viewing
7. Whalefall
8. Crayon Shin-Chan The Movie: Spooky! My Yokai Vacation
9. V
10. Petaka Gunung Welirang

Top 10 streaming (Oct 26 to Nov 1)

Netflix (Top 10 TV)

TV Series

1. Doctor X: Mafia in White: Limited Series
2. Dead-End Job: Limited Series
3. Kudrat 1968: High Council
4. Where the Mask Ends: Season 1
5. Lupin: Part 4
6. 100 Days of Deception: Limited Series
7. Lupin: Part 1
8. Take Charge of My Heart: Limited Series
9. Akka: The Protectors: Season 1
10. Dragon Ball Super: Beerus: Season 1

Viu (Top 10 shows)

1. The Hidden Hand (Dia Perempuan Sialan)
2. Bayangan Dendam
3. Running Man (2026)
4. Abang Imam Minah Skuter
5. Oh! My Guard
6. Cinta Dalam Sekam
7. Satu, Dua... Dia?
8. Whenever Possible Season 5
9. Dream To You
10. I Live Alone (2026)

Disney+ (Top 10 shows)

1. Between Steps: Season 1
2. The Mob: Season 1
3. Phony: Season 1
4. Reasonable Doubt: Season 4
5. Merry Berry Love: Season 1
6. VisionQuest: Season 1
7. The Remarried Empress: Season 1
8. RJ Decker: Season 2
9. All’s Fair: Season 2
10. Red Light Elegy: Season 1

Top 10 songs of the week (Spotify) (Oct 28 to Nov 3)

1. Great Expectation - SIENNA SPIRO
2. Sesi Potret - eńau (w/ Ari Lesmana)
3. Teh Hijau - Tulus
4. Iqro’ - Raim Laode
5. Stop The Wedding! - Ashe
6. Terbelah Jadi Dua - Gloria Jessica (w/ Ade Govinda)
7. The One That Got Away - Katy Perry
8. Ain’t In LA - ADÉLA
9. The Cure - Olivia Rodrigo 
10. One Of The Girls - The Weeknd (w/ JENNIE, Lily-Rose Depp)

Top 10 Malay songs of the week (Spotify) (Oct 28 to Nov 3)

1. Teh Hijau - Tulus 
2. Gila Bayang - Ammar Haikal
3. Sayang Orang Sama - Adira Suhaimi 
4. Tak Adil - Aisha Retno
5. Kasih Tercipta - Faizal Tahir
6. Terbang Original soundtrack from Tarung: Unforgiven - Noh Salleh
7. Lelaki Teragung - Dayang Nurfaizah
8. Manifestasi From Kudrat 1968 High Council - Sharul Kamal
9. Telepati - Aziz Harun
10. Percuma - Mahalini

Fiction

1. Agnes by Viji Krishnamoorthy (PRH SEA)
2. Strange Buildings by Uketsu (Pushkin Vertigo)
3. Threshing Day by Rebecca Yarros (Entangled: Red Tower Books)
4. Sunrise on the Reaping by Suzanne Collins (Scholastic Press)
5. Escape Me by Tahereh Mafi (Storytide)
6. Project Hail Mary by Andy Weir (Audible Studios)
7. Strange Pictures by Uketsu (HarperVia)
8. American Hagwon by Min Jin Lee (Cardinal)
9. Strange Houses by Uketsu (Pushkin Vertigo)
10. Never Lie by Freida McFadden (Hollywood Upstairs Press)

Non-Fiction

1. Atomic Habits by James Clear (Avery)
2. The Malay Dilemma (Reissue Edition) by Mahathir Mohamad (Marshall Cavendish)
3. Surrounded by Idiots (10th Anniversary Edition) by Thomas Erikson (Vermilion)
4. I Want to Die, but I Want to Eat Tteokbokki by Baek Sehee (Penerbit Haru)
5. Dark Psychology and Manipulation by William Cooper (AcePremier)
6. Everything I Know About Love by Dolly Alderton (Harper)
7. The Subtle Art of Not Giving a Fck by Mark Manson (HarperCollins)
8. Read People Like a Book by Patrick King (Big Mind LLC)
9. Once Upon a Miao (Remastered): I Love My Hometown by Jian Goh (Space Voyager Log PLT)
10. The Laws of Human Nature by Robert Greene (Penguin Books)

Mutiara Minda (Malay Novels)

1. Hayya & Larlaith by Hudanajwa (Hudanajwa)
2. Konspirasi Elitis: Sebuah Novel Thriller Distopia by Emmiyya (Rumaa Books)
3. Suspek Tanpa Jejak by Fitri Hussin (RUMAA Books)
4. Yes! Captain Zul Aaryan by Wnfhanna (Idea Kreatif)
5. Ejen C: Papan Timur, Oops... Ter-Match! by Khairunnisaq (Mangosteeen)
6. Rubah Putih by Ramlee Awang Murshid (Buku Prima)
7. Hamka: Tenggelamnya Kapal Van Der Wijck (Edisi 2026) by Hamka (PTS Publishing House)
8. Empayar: Hikayat Putera Tanpa Nama by Teme Abdullah (Iman Publication)
9. Empayar 4: Hikayat Pemburu Naga by Teme Abdullah (Buku IMAN)
10. Haqq by Effalee (Manes Wordworks)

KUALA LUMPUR, Nov 6 — Canadian R&B superstar The Weeknd’s After Hours Til Dawn (AHTD) tour is officially the highest-grossing tour by a male artist, grossing over US$1.3 billion (RM5.4 billion), according to Live Nation Entertainment.

The AHTD tour, which wrapped up with its final show last night at the TM National Stadium in Bukit Jalil, surpassed the previous record held by Sir Elton John’s Farewell Yellow Brick Road tour, which grossed US$939.1 million.

This also makes The Weeknd, whose real name is Abel Tesfaye, one of the few artists in the world with concert tours surpassing the billion-dollar mark, joining Taylor Swift (US$2.07 billion) and Coldplay (US$1.52 billion).

The Asian leg of the AHTD tour, initially announced with 11 dates, was subsequently expanded to 17 shows amid overwhelming demand, including an additional night in Kuala Lumpur, three nights in Bangkok, four in Hong Kong and further dates across other markets.

According to a statement by tour promoter Live Nation, the AHTD stadium tour spanned 176 shows across 67 cities, 30 countries and five continents, selling more than nine million tickets.

In 2026 alone, the tour sold more than three million tickets and grossed over US$500 million.

In July, the tour topped Billboard’s monthly Boxscore chart, grossing more than US$120 million and selling nearly 900,000 tickets in a single month.

The Weeknd has also donated US$8.5 million to the XO Humanitarian Fund and Global Citizen, supporting global hunger relief and access to quality education for children worldwide.

The XO Humanitarian Fund is a charitable initiative launched by The Weeknd in partnership with the United Nations World Food Programme (WFP) to support global hunger-relief efforts.

In 2026 alone, US$3 million has been raised for the WFP and Global Citizen.

This year’s contributions to Global Citizen will support a new campaign aimed at breaking down barriers faced by women and girls in health, education and economic opportunities, while securing commitments to empower them to reach their full potential.

Meanwhile, The Weeknd has also broken multiple records across China’s major music streaming platforms with his surprise single Hong Kong, which debuted on October 24 during the opening night of his four-show run at Kai Tak Stadium in Hong Kong.

The single, which samples Cantopop icon Faye Wong, achieved the biggest first-day debut for a non-Mandarin song in the past five years across streams, likes, saves, comments and shares on NetEase Cloud Music.

The Weeknd also became the first international artist in five years to reach No. 1 on all three major charts on the platform, including Hot Song, Surging and New Music, on the song’s release day on October 31.

He also broke a similar record on QQ Music, where the track earned the biggest debut ever for a Western male artist across streams, saves, comments and shares.

This made The Weeknd the first Western artist in 2026 to top all three major charts on release day.

LOS ANGELES, Nov 6 — The manager of US country music legend Dolly Parton dropped a civil lawsuit against the singer’s nephew on Thursday, US media reported, after a row enveloped the late musician’s estate.

The lawsuit filed in September by Parton’s longtime manager Danny Nozell accused her nephew, Bryan Seaver, of attempting to extort money from the estate, which includes an amusement park, a hotel and a soon-to-be-opened museum.

Seaver, who broke the news of the singer’s death at age 80 in an emotional video in August, had provided security for Parton for years but was abruptly fired, according to TMZ.

Court filings alleged that Seaver sent threats including a text message warning he would become “the hand of retribution for my entire family,” The New York Times reported.

A judge had issued a temporary restraining order against Seaver as part of the proceedings, which were voluntarily dismissed Thursday in a Nashville court, multiple US media said.

Parton rose from grinding poverty to become a rhinestone-studded legend with hits like Jolene and I Will Always Love You.

She also starred in multiple films and donated millions of dollars to charities as she built a vast business empire that includes her popular Dollywood theme park in Tennessee, cosmetics, pet apparel, baking mixes and even a truck stop. — AFP

NEW YORK, Nov 5 — New York’s Metropolitan Museum of Art on Thursday announced a new theme for the exhibition accompanying its prestigious annual Met Gala, after scrapping a planned retrospective of British designer John Galliano amid controversy over his past anti-Semitic remarks.

Running from May 9, 2027, to January 9, 2028, the exhibition, titled extraORDINARY, “will examine how design reveals unexpected possibilities within everyday things,” the renowned New York museum said in a press release.

The exhibition was initially planned as a retrospective of Galliano, but the designer and the museum announced in late August that it would not go ahead, following criticism from donors and political figures over the fashion designer’s past comments.

“After much reflection and discussion with all those involved, I have decided, with great sadness, that it is best for the exhibition not to take place at this time,” Galliano, 65, wrote on Instagram then.

“I remain fully accountable for the pain caused by my words in the past, particularly the hurt I caused to the Jewish and Asian communities, and I remain deeply sorry,” he added.

Galliano, who served as creative director of Christian Dior from 1996 to 2011 and is widely regarded as one of his generation’s most talented designers, saw his career collapse after making antisemitic remarks to customers at a Paris bar.

He was subsequently convicted by a French court over the incident.

After a period of rehabilitation and personal work, he found a new home at the discreet but influential fashion house Maison Margiela.

He served as the label’s creative director for a decade, leaving in 2024.

In March 2026, he announced a two-year artistic partnership with Spanish fashion retailer Zara.

The Met’s annual Costume Institute exhibition is largely funded by its star-studded gala, which draws leading figures from fashion and entertainment.

The 2027 edition of the event is scheduled for May 3.

“The ordinary is never quite as simple as it appears,” said Andrew Bolton, curator at the Met’s Costume Institute.

“A pair of jeans, a white shirt, or a sweatshirt can hold traces of a life-the habits, memories, and attachments that make something our own.” — AFP

LONDON, Nov 6 — British comedian Russell Brand was yesterday found guilty by a London jury of one rape and three sexual assaults, involving a total of four women.

Brand, who closed his eyes but showed no emotion as the jury delivered the verdicts, was cleared of two rapes and one count of attempted indecent assault against two other women.

Judge Joel Bennathan warned the 51-year-old actor turned conservative religious online guru that he faced a “significant custodial term”.

Brand’s wife Laura, who has accompanied him most days since the start of the trial on October 12, watched from the public gallery as the jury at London’s Southwark Crown Court delivered their four unanimous guilty verdicts.

He was remanded in custody and will be sentenced on Monday.

The maximum sentence in the UK for rape is life imprisonment.

Brand, who was briefly married to US popstar Katy Perry, also faces a further accusation of raping two more women, including a 16-year-old schoolgirl, and could face further criminal charges.

The allegations, which are being investigated by the Metropolitan Police and could not be reported earlier, were revealed at previous hearings of his four-week trial.

A Met spokesperson said in a statement sent to AFP that Brand had “been interviewed under caution in connection with the allegations” but declined to confirm the women’s ages.

After the verdicts, the Met paid tribute to the “extraordinary courage, resilience and determination of the women who came forward”.

“Brand used his influence, status and fame to exploit and sexually offend against women,” the Met’s Detective Superintendent Andy Furphy said in a statement.

“As his profile grew, so too did his sense of entitlement. I hope this conviction sends a clear message that no one is above the law, no matter how famous or powerful they may be,” Furphy added.

Ahead of the trial, Brand’s defence team attempted to get the case dismissed on the grounds that a 2023 documentary and newspaper article making separate, anonymised allegations about Brand meant he had been convicted “in the court of the media of being a rapist”.

But the judge ruled it was sufficient to eliminate jurors who remembered seeing this coverage, which prompted police to investigate Brand.

Police released videos of interviews with Brand during the investigation where he read out prepared statements slamming the “defamatory and fictitious documentary” which he said resulted in further encounters being “invented or reimagined”.

‘Insatiable’

Senior prosecutor David Roberts said outside the court yesterday that Brand was “predatory and used his celebrity status to commit sexual crimes”.

“He was a manipulator with an insatiable desire to get what he wanted regardless of whether consent was given or not,” Roberts added.

Brand was convicted of four sexual offences — one rape and three sexual assaults — involving four women between 2005 and 2009 in different locations, including a radio station, a recording studio and Brand’s home address.

He had pleaded not guilty to all the charges saying that although he used to be very promiscuous he had always had consensual sex.

Following the guilty verdicts, Brand’s lawyer Ian Winter urged the judge to renew his bail over the weekend as “an act of humanity”.

Winter said he was asking for bail so Brand could “put his affairs in order and in particular to say goodbye to his three young children”.

Judge Bennathan said he regretted the “hardship caused to the children”.

But he said Brand had “considerable resources” and that whatever his good intentions were there were substantial grounds to “fear he might in the end not feel able to come along and face his sentence”.

From the dock, Brand signalled to his defence team that he was okay, adding: “I’m good, I’m good, I’m good” before being led out of the dock.

Brand’s wife Laura later left the court building wearing dark glasses and was hurried into a car by a bodyguard. — AFP

KUALA LUMPUR, Nov 6 — Throughout human history, it has been a sad fact that rights have never been freely given so much as they have needed to be advocated and fought for.

Telling the stories of the people who keep fighting for those rights matters.

Being Heumann is a biopic about disabled activist Judy Heumann and her success, alongside other activists, in gaining approval for an important law safeguarding the rights of people with disabilities.

This law was Section 504 of the Rehabilitation Act of 1973, which would ensure that the disabled would not be discriminated against in federally funded programmes.

It wasn’t achieved by polite letter writing or sedate speeches; Heumann and her cohort held a sit-in at the San Francisco office of the Department of Health, Education, and Welfare that lasted 26 days.

That blockade still holds the record for the longest sit-in of a federal building in the US.

Wheelchair user Ruth Madeley brings a fine gumption to her portrayal of Heumann and Mark Ruffalo the “villain” of the story as always brings a gritty humanity to his portrayal of Joseph Califano as the-then US Secretary of Health, Education, and Welfare.

Two of my friends, may their souls rest in peace, were disabled activists.

Few people I know are angrier than disabled activists and deservedly so.

The script is sharp in its addressing of the disrespect for the disabled and lack of understanding about disabled rights.

Califano brushes the activists off for asking for what he considered too much at a time when US President Jimmy Carter was campaigning on reducing the budget deficit.

That’s one of the biggest misunderstandings about disability rights.

Even in Malaysia people are often accused of “playing the disability card” like it’s some magic get out of jail pass.

The disabled do not want special treatment; they want access to everything that the non-disabled do, but take for granted.

Heumann in the film recounts being kicked off a plane, denied access to schooling and even being barred from teaching all due to being considered a “fire hazard.”

It took a long period of Heumann’s mother dragging her wheelchair up the stairs for Heumann to finally be allowed to go to school.

The story of Heumann and the rest of the Section 504 activists seems almost too farfetched, going without food and water for days (partly due to security barring provisions), enduring being cramped together in a truck as accessible transport was not available at the time but most of all, winning despite the physical odds and the disdain from higher-ups.

While some things in the film can be discomfiting and almost too real at a time when protections for the disabled are endangered in the US thanks to the demonisation of DEI policies, it is a story worth watching and deserved telling.

Yet it is also important for us, the viewers, to ask ourselves if we will do more than feel “inspired” by stories like Being Heumann.

Being Heumann will begin screening on Apple TV from November 13.

LONDON, Nov 5 — The makers of an Indian blockbuster based on the ancient Hindu epic Ramayana have hailed the new film as an unprecedented fusion of homegrown and Hollywood talent, calling it India’s first truly global release.

Ramayana: Rise of a Legend — in cinemas worldwide from Thursday — has been more than a decade in the making, with a reported mega US$420 million (RM1.7 billion) combined budget.

It draws on the talents of Oscar winners in visual effects and music, buoyed by a stellar cast featuring some of Indian cinema’s biggest names.

“People from all over the world came in to work on this project,” Bollywood superstar Ranbir Kapoor told AFP in London before its release.

“So we really had the platform to really express (ourselves) in the best way possible.”

The film, inspired by the millennia-old Sanskrit epic that serves as a foundational text for Hindus, chronicles the virtuous Rama’s (Kapoor) battle to save his kidnapped wife Sita from the evil demon king Ravana, played by fan-favourite Yash, who goes by one name.

This latest screen adaptation featuring flying elephants and gargantuan-sized demons is bursting with computer-generated visual effects, known in the industry as VFX.

The brainchild of producer Namit Malhotra, his UK-headquartered visual effects arm DNEG has won eight Academy Awards for work on films including Inception and Dune.

The movie, which has Hindi and English versions, has been scored by Oscar-winning composers Hans Zimmer and A.R. Rahman, while its action directors and production designers boast numerous Hollywood credits.

Planned as a two-part spectacle, the creators believe it heralds a breakout moment globally for India’s film industry, which has yet to win an Oscar in the coveted film categories.

‘Authentically Indian’ 

This photo taken on April 29, 2026 shows Namit Malhotra, CEO of Double Negative (DNEG), a film special effects company, posing for a portrait at their London offices. — AFP pic

“It’s the largest production in the history of Indian cinema,” said Malhotra, who has branded it India’s Star Wars or Lord of the Rings.

“The story and the scale and the spectacle is something that the world, I think, is ready to consume.”

Long dominated by mass-market Hindi-language Bollywood, Indian cinema churns out around 2,000 films each year and has been expanding its global appeal.

That has been fuelled in part by the country’s strong diaspora networks and increasing access to Bollywood offerings on streaming platforms such as Netflix and Amazon Prime Video.

With its English version, Hollywood special effects and epic battle scenes, Ramayana appears aimed at international audiences as much as the movie-mad country of 1.4 billion people.

Made by Malhotra’s Mumbai-based Prime Focus Studios and actor Yash’s Monster Mind Creations, with Sony Pictures the international distributor, it eschews some hallmarks of traditional Bollywood, in particular its elaborate song-and-dance routines.

But many of Bollywood’s core ingredients — melodrama, romance and action alongside awe-inspiring landscapes and a long running time of nearly three hours for the English version — are present.

“It’s a very original telling of a very original story from India, and it makes no compromises in that regard. It keeps it authentically Indian,” Malhotra said.

Yash, a hugely popular figure in India’s Kannada-language cinema who co-produced and co-stars in Ramayana, told AFP that “East and West have come together in a true sense”.

The release and its global nature were “a very important moment” for Indian cinema, he added.

‘Personal connection’ 

Moviegoers stand in a queue to watch the early morning show of the Indian Hindi-language epic mythological film ‘Ramayana:Part 1’, at the Miraj Cinemas in Mumbai on November 5, 2026. A big-budget film adaptation of the Ramayana, one of Hinduism’s most revered epics, has renewed attention on the ancient tale that continues to shape India’s culture, identity and politics. — AFP pic

In the film, Sita, played by South Indian star Sai Pallavi, is a fearless, fighting character.

She and other cast members highlighted the responsibility they felt in their roles, since many Indians have “a very personal connection with these characters”.

“It was quite challenging because you have to silence every part of you that wants to overperform and... let the character speak for itself,” Pallavi told AFP.

The filmmakers constructed a massive set in Mumbai for the central story settings, while VFX teams worked there and in London and Vancouver.

Although the movie was shot entirely in Hindi, the creators wrote an English-language screenplay for the global release.

English dialogue was added to a separate master version using both the cast and voice artists and traditional lip syncing techniques.

For director Nitesh Tiwari, evoking the ancient poem’s messaging was paramount.

“There’s a certain sense of timelessness to the emotions and the values which Ramayana stands for and that is exactly what we wanted to bring to the rest of the world,” he said. — AFP 

KUALA LUMPUR, Nov 5 — Canadian R&B superstar The Weeknd kicked off his Kuala Lumpur stop with a spectacular first-night performance at the TM National Stadium in Bukit Jalil last night.

The show, which drew more than 65,000 fans, marked the final city on his record-breaking After Hours Til Dawn (AHTD) Tour, ahead of its grand finale tonight.

The spectacle featured a towering 40-foot chrome-and-gold robot sculpture created by Japanese artist Hajime Sorayama, alongside immersive laser displays, dazzling visuals, cloaked dancers and pyrotechnics.

The Weeknd, whose real name is Abel Tesfaye, opened the show at approximately 9pm with an electrifying rendition of Baptized in Fear, emerging on stage in his iconic MF DOOM-inspired chrome mask to a roaring reception.

About 15 minutes into the performance, he removed the mask and delivered a heartfelt message to fans, reflecting on the significance of the occasion.

“It’s a very historic night that we’re celebrating here right now. It is the last city of this entire tour. 

“On a historic run that you guys are such a big part of but there’s another special thing about this show — it is my first time in Malaysia. Did you know that?

“The last show is my first time in this beautiful country, man. You guys are so beautiful and what I realised too, especially in the first 15 minutes of the show is that I can never skip Malaysia on any tour ever again,” he said, sending shockwaves through the stadium as fans erupted into a deafening roar.

The night went on with Abel performing several crowd favourites such as Blinding Lights, Die For You, Save Your Tears, and Starboy. 

He also delighted fans by personalising his performance, weaving “KL” directly into the lyrics of hit tracks like Faith and São Paulo.

Most notably during Faith, he replaced the gloomy line “I’m losing my religion every day” with an unexpected shoutout: “I found my religion in Malaysia today.”

The spectacle featured a towering 40-foot chrome-and-gold robot sculpture created by Japanese artist Hajime Sorayama, alongside immersive laser displays, dazzling visuals, cloaked dancers and pyrotechnics. — Picture courtesy of Sebastien Nagy

Another highlight came just before One of the Girls, when the multi-Grammy-winning artist told the audience he had “saved the best show for last” — a glowing tribute to Kuala Lumpur as the final stop on his tour.

Fans responded by singing along to every word of the track, which originally featured vocals by Blackpink’s Jennie and Lily-Rose Depp.

“That might just be the best one, I’m not gonna lie right now. I’ve been having a really good time in Asia man — a really good time. 

“I don’t want to p*ss anyone off, but this might be my favourite leg of the tour right now. So much inspiration.

“I was in Hong Kong the other day and I was really inspired. I wrote a little song — it’s a love letter to Hong Kong, but it feels like a love letter to all of Asia this time, because everything inspires.” 

He went on to praise his Asian tour stops, saying Kuala Lumpur might be his favourite leg so far, before revealing that he had written a song inspired by his recent visit to Hong Kong.

The newly released single Hong Kong, which samples Faye Wong’s 1993 Cantopop classic Monsoon, was also dedicated to the wider region as he described Asia as a source of inspiration.

The night ended with a literal bang, as fireworks illuminated the night sky, giant balloons rained down on the audience, and pyrotechnics erupted all around. 

Abel closed the show at approximately 11pm, thanking his production team before giving the crowd a final, emphatic “I f*ing love you!”

The final AHTD Tour show will take place tonight, with Abel scheduled to return to the stage at 8.30pm.

Japanese DJ Yousuke Yukimatsu and hip hop duo Creepy Nuts are also scheduled to perform as opening acts, as they did on the first night.

KUALA LUMPUR, Nov 5 — Astro Original series Generasi: Perfect 10 won best TV drama series at the 37th Anugerah Seri Angkasa (ASA) on October 24.

The eight-episode drama debuted in 2025 and has since received widespread critical acclaim, recording 21.2 million total views, 5.1 million unique viewers and 74 million social media views, according to the Astro Malaysia team.

Nas Addina, the show’s showrunner, said the team did not expect to be nominated, let alone win an award alongside some of their favourite local dramas and more established industry figures.

“Our team was surprised to even be nominated to begin with, what more, being in the same category as some of our favourite local dramas and seniors.

“We’re beyond grateful for this acknowledgement, and we hope to see more original stories and female-led narratives like ours be celebrated in the industry for years to come,” she told Malay Mail.

The ASA recognises achievements in Malaysia’s television and radio broadcasting industry, celebrating the contributions of both on-screen talent and production teams working behind the scenes.

At its heart, Generasi: Perfect 10 is a coming-of-age sports drama centred on gymnastics, but the story goes beyond the pursuit of sporting excellence.

It follows Ezie (Arena Wan), a teenager who dreams of becoming a professional gymnast.

Her journey takes her to Permai Sports Academy after her school’s gymnastics club unexpectedly closes.

There, she faces the demands of a competitive sporting environment, where friendships, rivalries and the pressure to succeed test her determination.

The series also explores teenage identity, family relationships and the darker side of obsession, showing how the pursuit of perfection can affect young people beyond their sporting ambitions.

The cast includes Arena Wan, Arabella Ellen, Datin Sofia Jane, Sharifah Sakinah, Daniel Fong, Nat Aaliyah, Ellyza Azizi, Aila Azizul, Dhabita Auji, Hazi Juzaili, Chandni Nagadurga, Sherie Merlis, Qi Razali, Aiman Ameer, Zarra Zaff and Farah Ann Abdul Hadi.

Generasi: Perfect 10 is currently available to stream on Astro GO, Sooka, and Netflix.

TOKYO, Nov 5 — Fans of Mashle: Magic and Muscles finally have their first look at the franchise's highly anticipated live-action adaptation, with Japanese star Mackenyu officially announced as the actor who will bring protagonist Mash Burnedead to life on the big screen.

The film is scheduled to premiere in Japan on 19 March 2027, with veteran manga adaptation director Yuichi Fukuda at the helm. 

Known internationally for his role as Roronoa Zoro in Netflix's live-action One Piece, Mackenyu appears to be a natural fit for Mash, a character whose overwhelming physical strength allows him to survive in a world where magical ability determines social status.

According to reports accompanying the announcement, the actor spent approximately three years preparing physically for the role after receiving the offer, underscoring the production's commitment to faithfully adapting the beloved manga. 

The newly released teaser offers a glimpse of Mackenyu in costume, complete with Mash's signature facial marking and Easton Magic Academy uniform.

The footage also highlights the character's trademark athleticism, including scenes showcasing the extraordinary muscle power that defines the series. 

Director Yuichi Fukuda, whose previous live-action credits include Gintama and several other manga adaptations, revealed that Mackenyu was one of his first choices after the project received approval.

Fukuda described the film as featuring one of the strongest casts he has assembled, while expressing confidence in Mackenyu's ability to embody the unique balance of comedy, action and stoic charisma that has made Mash such a fan favourite. 

Originally created by Hajime Komoto, Mashle: Magic and Muscles was serialised in Weekly Shonen Jump from 2020 to 2023. The story follows Mash Burnedead, a young man born without magical powers in a society where magic determines a person's worth.

To compensate, Mash develops superhuman physical strength, using brute force to overcome magical obstacles and challenge the prejudices of the wizarding world. The manga's blend of parody, action and deadpan humour helped it become a global hit, with more than 12 million copies in circulation worldwide. 

The live-action film is being produced by Warner Bros. Pictures, Fuji Television, and production company CREDEUS, with Toho handling distribution in Japan. 

With Mackenyu's track record in adaptations such as One Piece, Rurouni Kenshin, and Fullmetal Alchemist, expectations are already high. If the first teaser is any indication, the live-action Mashle aims to capture the blend of absurd comedy and explosive action that made the original manga and anime so successful.

For fans wondering whether anyone could convincingly portray a teenager who defeats powerful wizards through pure muscle, the filmmakers appear to believe they have found their answer in Mackenyu. 

PARIS, Nov 4 — After thrilling the international festival circuit, US indie sensation Club Kid set in the queer New York party scene will hit cinemas this week ahead of what many critics see as a tilt at the Oscars.

The debut film from Jordan Firstman became one of the buzziest titles at this year’s Cannes Film Festival in May, leading to a bidding war among distributors that was won by US independent film giant A24.

It has since won awards at festivals, with expectations steadily built by a string of rave reviews that have handed the movie a rare 100-per cent rating on aggregator website Rotten Tomatoes.

Firstman, 35, told AFP in an interview ahead of the film’s international release from Wednesday that he had used his own personal experience of New York’s underground gay club scene for the movie that he also wrote and acts in.

“I know it deep in my bones, and I know the beauty of it, and I know the complications of it, and I know the pain of it, and so I wanted that all to just be shown,” he said in Paris.

The film chronicles the life of a gay New Yorker in his thirties, a queer drug-loving party promoter who suddenly discovers he is the father of a 10-year-old child.

It offers viewers an immersion into the underground LGBTQ party scene where everyone speaks the same coded language: “K” for ketamine, “C” for cocaine, “G” for GHB, “3” for 3-MMC.

Some scenes in the film are shot in real underground parties.

But while it could easily have gotten lost in a plea for same-sex parenting or in re-telling a story about addiction, Firstman instead focuses on the universal by telling the gentle yet chaotic story of learning how to be a parent.

“It’s a love story between a father and a son. It’s a love story about community. It’s a family love story about chosen family,” he explained.

His aim was to produce a queer re-telling of family-based classics such as The Kid by Charlie Chaplin or Academy Award Best Picture winner Kramer vs Kramer by Robert Benton.

Self-esteem  

With a host of industry magazines and critics tipping the movie as a possible Oscars contender, Firstman says his hard-partying past is behind him as he deals with the bright glare of publicity.

“I can’t afford on a Monday to be hungover,” he joked.

Before making Club Kid, which features model Cara Delevingne as a cocaine-addled party organiser, he was best known for short queer comedy clips on Instagram.

While writing his first feature, he said he also wanted to explore the difficult journey to self-respect and love that many LGBTQ people have to take.

“If you grow up gay, people bully you or your family doesn’t accept it. I think a lot of people have this, and I think it doesn’t really get better unless you really, really work on it,” he told AFP.

Although he said he had “struggles with self-esteem”, he was supremely confident in his abilities as a writer and director.

“I almost had an inflated sense of self when it came to my work. When people didn’t want to make my movies or make my TV shows, I was like, ‘they’re the idiots, I’m right’,” he explained.

Club Kid takes place in 2016  — a year that Firstman now looks back on with nostalgia.

“There was just something that felt really fun and cool (in that year),” he said.

“Right after, Trump got elected in America, it has never for a day gotten better. The second we got rid of Trump, we got a pandemic. The second the pandemic ended, we got Trump again.

“2016 was the last good year, I think,” he said. — AFP 

KUALA LUMPUR, Nov 4 — The TM National Stadium in Bukit Jalil is buzzing with The Weeknd vibes as today marks the first night of his After Hours Til Dawn Tour finale. 

By 1pm, crowds have already began filling the stadium area with many came turned up in shades of black and burgundy outfits in keeping with the iconic colours of the Canadian R&B star. 

The stadium atmosphere has also been transformed into a festival-like grounds with plenty of food and beverages booths as well as a couple of merchandise and even makeup stations set up just outside of the stadium. 

According to a security staff at one of the official merchandise booths, there were also eager fans queuing for merchandise since 8am despite the booth opening at noon. 

As this marks the grand finale of the After Hours Til Dawn tour — which has been running since 2022 — fans from all over the world are traveling to Malaysia to catch the final two shows happening today and tomorrow. 

Amongst them is 25-year-old Liegh from the Philippines this morning who then immediately went to the stadium grounds upon touching down as she didn’t want to miss out on the merchandise sales. 

“Me and my friend arrived this morning and we immediately went here to the stadium to buy the merch. 

“Because we don’t want to risk it for tomorrow because we know that it’s going to be really packed. 

“So we thought of why not just come here super early just to buy the stuff,” Liegh told Malay Mail. 

Liegh, a devoted fan of the R&B superstar who even has a ‘Starboy’ tattoo on her chest, said she has been eagerly waiting the finale — especially after The Weeknd’s 2018 Manila show was cancelled.

“So yes, we’ve been waiting around eight years for this. 

“I still can’t believe that I’m finally going to see him in real life and witnessing everything. 

“I’m hoping, well not hoping but I know that there’s going to be like something more that he’s going to do tomorrow since it is the last day of the tour and we are so stoked for it,” she said. 

Fans queue to purchase The Weeknd merchandise during the pre-sale event at Bukit Jalil, Kuala Lumpur November 3, 2026. — Picture by Raymond Manuel

Meanwhile for 24-year-old Ahsan who arrived here from Maldives a couple days ago said that he grew up with The Weeknd’s music and the singer definitely holds a special place in his heart. 

“This show really means a lot because his songs are sentimental in a way for me. 

“I would often listen to him during my tough times and his songs have been my coping mechanism and I’ve been listening to him since I was 12 years old,” Ahsan said. 

As it is monsoon season in Malaysia, when asked if he is worried about rain during the concert, Ahsan simply replied “Rain or shine, we will be there no matter what.” 

Another fan who is currently enjoying the tropical Malaysian monsoon weather is 23-year-old Nipa from the United Kingdom. 

“I feel like Malaysia is so beautiful and it is so hot compared to London because it’s so cold there and it’s always raining there. 

“I love the hot weather here and I was previously in Bangladesh and the heat there is really hot but here is just perfect,” she said. 

Although this is her first time travelling solo for an international concert, Nipa revealed that she has actually been to several of The Weeknd’s show previously including four shows during his 2023 tour run in UK and another three this year and she is in Malaysia to catch the finale of it. 

“His music and his art really inspire me and his EP ‘My Dear Melancholy’, which is my favourite EP, really changed my life genuinely. 

“It’s like his lyrics and music really touched my soul and my heart and him as a person who openly supports Palestine is really important to me as a person. 

“And everything about him as well, he’s such an inspirational person,” Nipa said. 

The Weeknd’s KL shows didn’t just attract international fans, there are also fans coming from all over Malaysia as well and amongst them is 24-year-old Syakirah Norizal who came to KL with two of her friends, driving all the way from Ipoh, Perak. 

“We left Ipoh at around 9am this morning and we arrived at the stadium at around 1pm but we did have a pit stop at a nearby R&R stop to get into our concert outfits. 

“It was a good decision on our side because the R&R is quite empty and there’s a Surau there and we could take our own time” Syakirah said. 

Fans queue to purchase The Weeknd merchandise during the pre-sale event at Bukit Jalil, Kuala Lumpur November 3, 2026. — Picture by Raymond Manuel

Similarly to the others, Syakirah and her friends are really looking forward for the concert, especially as they didn’t manage to secure tickets during the first ticket sales last May.

However, luck was on their side as Livenation Malaysia later announced another last-minute ticket sales earlier in October. 

“We were heartbroken during the May ticket sales because we were working at the time and at the same time we were battling for tickets. 

“At first we already accepted our fate of not being able to go but we were super happy when we found out that additional seats have opened up,” she said. 

Describing their journey, Syakirah shared that traffic was smooth until they reached the stadium entrance, where congestion hit. 

However, the group managed to get inside and secured a parking spot right behind the Unifi Arena — though it came with a steep RM50 daily flat rate.

As of 6pm, fans have begun making their way into the stadium, and despite a slight drizzle, the weather has been fairly accommodating. 

Today’s session is set to begin with a performance by Japanese DJ Yousuke Yukimatsu, followed by Creepy Nutz. 

The Weeknd is expected to take the stage at 8.30pm onwards. 

KUALA LUMPUR, Nov 4 — Malaysian-Taiwanese film Sayang Sayang, which has five nominations at the 63rd Golden Horse Awards, opens in cinemas nationwide tomorrow, after premiering in Taiwan last month.

The film was directed by Taiwanese filmmaker Tang Hsiang-Chu and produced by Malaysian filmmaker Jin Ong, whose earlier work includes Abang Adik (2023).

“We started working on the script in 2022, and I am glad that Malaysian audiences will get to experience a different kind of Malaysian film,” Ong said at the film’s gala premiere at TGV Suria KLCC yesterday.

Ong said the film has commercial appeal but also carries a message about love.

Tang said love is a universal feeling found across different cultures and communities, which reflects one of the film’s central messages.

Sayang Sayang is nominated for Best Original Screenplay (Tang), Best New Performer (Malaysian actor Nandagopall Mohan), Best Sound Effects (Wu Shu-Yao, Hsu Chiao-Han and Liu Pei-Min), Best Visual Effects (Tomi Kuo, Ivan Lin and Hannah Han) and Best Supporting Actress (Malaysian actress Mhia Firdaus).

Mhia’s nomination makes her the first Malay actress to be nominated in the category at the awards.

The winners will be announced at the Golden Horse Awards ceremony in Taipei on November 22.

Shot in Kelantan and Terengganu on Malaysia’s East Coast, the film centres on love, identity, family acceptance and inclusion.

Its dialogue is in Malay, Mandarin and Tamil, alongside sign language, and the film includes the deaf community in its storytelling.

The cast includes Mhia Firdaus, Nandagopall Mohan, Sasha Tang, Amir Ahnaf, Jo Kukathas, Khir Rahman, Farah Ahmad, Ong Ai Leng, Lee Lee-Zen, Vemanna Appannah, Mia Tan Shu Man and Tan Li Yang.

The film is produced by More Entertainment Sdn Bhd and IS Entertainment Co Ltd.

KUALA LUMPUR, Nov 4 — The Malaysian-Taiwanese film Sayang Sayang features an original soundtrack (OST) performed by none other than Malaysia’s legendary music icon Datuk Seri Sheila Majid.

Titled Sayang, the song is composed by Japanese-Malaysian singer-songwriter Ryota Katayama and performed by Sheila.

The song explores themes of enduring love, longing for loved ones and seeking divine guidance and strength to remain together through life’s challenges.

Speaking at the Sayang Sayang gala night held at TGV Suria KLCC yesterday, Sheila shared what inspired her to join the project and lend her voice to the film’s soundtrack.

She revealed that reading the song’s lyrics deeply moved her, leaving her touched by its message and ultimately convincing her to accept the offer.

Having known filmmaker Jin Ong, the producer of Sayang Sayang, whose previous projects include Abang Adik, Sheila said she was already familiar with his work and open to considering the project.

“When he (Jin) approached me, he offered me the opportunity to sing the OST for Sayang Sayang,” she said.

However, before agreeing to the offer, the veteran star wanted to understand the film’s storyline first.

“Once Jin shared the storyline with me, I was drawn to it because it tells a story about humanity and love, regardless of one’s social background, in a society where we are all part of a multiracial community.

“Deep down, we naturally have a sense of love for others.

“When someone treats us kindly, we automatically develop affection for them in return.

“This is a film about unity, and I hope that when audiences walk out of the cinema, they will rediscover that feeling of love and extend it toward one another in society,” she said.

Celebrated for her contributions to Malaysian pop, jazz and R&B, Sheila, often regarded as Malaysia’s Queen of Jazz, remains one of the country’s most enduring and influential entertainment icons.

Last year, she celebrated 40 years in the music industry with the Sheila Majid 40 Years in Music concert at Axiata Arena, Bukit Jalil, which drew a crowd of approximately 9,000.

The music video for Sayang has also surpassed 10,000 views on YouTube.

Sayang Sayang follows Nancy (Jo Kukathas), an Indian woman who returns to her hometown on the East Coast with her deaf son, Ajay (Nandagopal Mohan), where she establishes a sign language school.

The story also introduces Mina (Mhia Firdaus), a deaf Malay girl from a Muslim family who has a passion for Muay Thai and San San (Sasha Tang), a deaf Chinese girl, dreams of the sea while remaining deeply connected to her family’s faith and its relationship with the ocean.

Through the lives of these three teenagers and their families, the film highlights the universal language of love and the importance of understanding and accepting one another, regardless of race, religion or background.

Directed by Tang Hsiang-Chu, Sayang Sayang has already earned five nominations at the 63rd Golden Horse Awards and will hit cinemas across Malaysia tomorrow November 5.

The project also marks Sheila’s return to recording a film soundtrack after four years with her last being Wira Hatiku, featured in the 2022 film Juang.

SINGAPORE, Nov 4 — Julian Cheung has reportedly amassed enough wealth to support his family for three generations, according to his uncle, former actor Charlie Cho.

The 76-year-old told reporters in an interview that he had once advised the 55-year-old Hong Kong actor-singer that he could be selective about the roles he take on once he has accumulated enough wealth.

He recounted: “I told him, ‘If you’ve earned enough money to last three generations — meaning enough for you and your son to spend for your whole lifetimes and still have plenty left over for your grandchildren to last their lives, you can afford to be selective about the roles you take.”

According to Charlie, Julian reportedly told him that he indeed had enough and shared his views on only taking on projects that he truly enjoys.

While the interview was published in May this year, the news recently got renewed attention when Julian returned to TVB after 13 years to star in the currently airing drama The City That Never Sleeps.

Julian, who debuted in showbiz in 1991, gained much attention for his performance in the new drama as the villainous CEO Koon Hau Yin as well as his intimate scene with Hera Chan’s character Kwon Chi Woon.

He has scaled back on his acting projects in recent years, with his last drama Modern Dynasty airing in 2022 and his last film The Prosecutor released in 2024. He was also in the 2021 Chinese reality survival show Call Me by Fire.

According to Hong Kong media, Julian and his 55-year-old actress wife Anita Yuen — who married in 2001 and have one son Morton who turns 20 this month — have reportedly accumulated wealth over the years through real estate on top of their respective careers.

In addition, Julian’s investment in valuable paintings and Anita’s collection of Hermes handbags are believed to have added to their collective wealth. — AsiaOne

KUALA LUMPUR, Nov 4 — After nearly three decades of being one of the songs close to the hearts of Malaysians, composer Datuk Wah Idris hopes to see Standing in the Eyes of the World receive greater recognition as a special national song.

Wah, 69, said the song, popularised by singer Ella, has its own significance and deserves to be recognised as part of the country’s musical heritage, as well as performed at various official events and national programmes.

He said the song should be given its own platform and recognition as a musical work capable of uniting Malaysians regardless of their backgrounds, while also carrying the nation’s message onto the international stage.

In this regard, he proposed that the matter be given due consideration and brought to the attention of the relevant authorities for further discussion.

“We must feel proud that we have one solid, neutral song that can bring Malaysians together and help showcase the country to the world,” he said at the symposium ‘Standing in the Eyes of the World: Behind the Creative Process, Collective Memory and the Meaning of a Song’, held in conjunction with My Symposium on Practice as Research (MySPAR) 2026.

The symposium, organised by the Centre for Postgraduate Studies, National Academy of Arts, Culture and Heritage (Aswara), was also attended by singer Ella and lyricist Datuk Habsah Hassan.

Recalling the composition of the song, Wah said it was inspired by his desire to create a musical piece that could elevate Malaysia’s profile on the international stage in conjunction with the 1998 Commonwealth Games (Sukom).

Composer Datuk Wah Idris speaks at the programme ‘Standing in the Eyes of the World: Behind the Creative Process, Collective Memory and Meaning of a Song’ in conjunction with MySPAR 2026 at the National Academy of Arts, Culture and Heritage (Aswara) recently. — Bernama pic

He said he wanted the lyrics to have a universal appeal and not be confined solely to the sporting theme, but instead inspire enthusiasm and confidence among listeners.

The combination of its melody and lyrics has since made the song enduringly popular among Malaysians, with its use extending beyond the sporting event that originally inspired its creation.

He also viewed this development as proof that Standing in the Eyes of the World has the potential to endure as a musical work embraced and cherished by people from all walks of life.

The song also caught the attention of the United States Embassy in Malaysia, which selected a revamped version of the composition to commemorate the country’s Independence Day celebrations on July 4, 2020. — Bernama

SINGAPORE, Nov 4 — Taiwanese singer-actor Nicky Wu was moved to tears after his team surprised him with a special animated video retracing his life and career to mark his birthday.

A video shared on Weibo shows Nicky, who turned 56 on October 31, watching the six-minute short film. Thinking it was just another routine video recording, he initially joked: “Don’t show the old stuff!”

The video begins by revisiting Nicky’s early years where he worked odd jobs, including washing cars, working at a construction site and helping out at a night market, before his rise to fame as a member of the popular Taiwanese boy band The Little Tigers after being scouted by singer-songwriter Angus Tung at the night market.

The group, formed in 1988 and which also included Julian Chen and Alec Su, halted their activities in 1991 when the former went for his mandatory military service. The Little Tigers disbanded in 1997 when Nicky went to serve the country.

Nicky went into acting and his best-known role is as the Qing Dynasty prince who would become Emperor Yongzheng in the 2011 television show, Scarlet Heart. He married his co-star Liu Shishi in 2015 and the couple have a son who was born in 2019.

The video also highlighted the hardships and injuries he endured and his determination to succeed, revealing that he once went seven days without sleep to pay off his family’s debts.

An animated version of Nicky is then heard saying: “I only need four hours of sleep a day. I can spend the rest of my time working.”

Set to nostalgic hits including The Little Tigers’ Red Dragonfly (1990) and Nicky’s Wish You a Smooth Journey (1992), the video recounts key milestones from the latter’s long entertainment career.

As the video played, he became visibly emotional, with tears welling up in his eyes before he wiped them away.

The video also imagines an alternate life for Nicky where he turned down Angus’ proposal to pursue a career as a medal-winning national judo athlete, eventually becoming a coach to young athletes.

The text in the video reads: “It’s not sure which path would be better because either way, you have given it your all. In a parallel world, Nicky Wu is an athlete chasing glory. In real life, he is an actor overcoming obstacles.”

The video concludes with an emotional Nicky making a birthday wish and blowing out the candles on his cake.

A message shown at the end of the video reads: “I’ve experienced so much along this journey, but I’m very fortunate to have had you all by my side. Thank you.” — AsiaOne

LONDON, Nov 4 — A UK jury Tuesday began to consider its verdict in the trial of British comedian and actor Russell Brand, charged with seven counts of rape and sexual or indecent assault.

Six women have given evidence, recounting alleged offences including anal, vaginal and oral rape between 1999 and 2009 when Brand rose to fame as a stand-up comedian and television presenter.

He has pleaded not guilty at Southwark Crown Court to all the charges, saying that although he used to be promiscuous he always had consensual sex.

The prosecution earlier described him as a “ruthless, calculated and manipulative” sexual predator.

If found guilty, the 51-year-old, who was briefly married to US popstar Katy Perry, could face up to life in jail.

Giving evidence, Brand denied having a “goal” to sleep with 5,000 women but admitted he had been “obsessed” with sex when he was younger.

He has been accompanied to court most days by his wife Laura, who also gave evidence in his defence.

In a closing speech to the jury of eight men and four women, prosecutor Riel Karmy-Jones said several of the alleged victims initially found Brand pleasant to be with.

“Then it was like there was a personality change, a pivot. His eyes changed, he snapped,” she said.

The women came forward after seeing a 2023 documentary that the prosecution alleges made them realise they were “not alone” and that there was a pattern of behaviour, Karmy-Jones said.

In his own closing remarks, Brand’s lawyer Ian Winter urged the jury to separate his conduct and treatment of women from the criminal charges he faced.

He said it was “not criminal to treat women unkindly before, during or after sex”, and it remained lawful if there was consent.

He said the claims were made “very many years” after the alleged offences and had been “thoroughly contaminated” by the documentary.

Judge Joel Bennathan told the jury members he could only accept unanimous verdicts. — AFP

PARIS, Nov 4 — Iranian award-winning film director Jafar Panahi on Tuesday made his first public appearance since returning to Iran earlier this year, at the funeral of a veteran football star, video reports showed.

Panahi, who won the top prize at the 2025 Cannes film festival, returned to Iran in March shortly after attending the 2026 Oscars ceremony in Los Angeles, despite facing legal cases and bitterly criticising the crackdown on protests in January.

An Iranian court has now sentenced Panahi to over five years in prison, his lawyer said last week, although the latest charges are unclear. In June, an Iranian court rejected an appeal against a one-year jail sentence.

He had not been seen since arriving in Iran but was also believed to still remain at liberty despite the announcement of prison sentences against him.

But Panahi was clearly present at the funeral in Tehran of the former national team footballer Hamid Alidoosti, images published by Iran’s ISNA news agency as well as Persian-language media based outside Iran showed.

Wearing his trademark dark glasses, he embraced and sat next to Peyman Maadi, one of Iran’s most prominent actors.

The late football player’s daughter Taraneh Alidoosti – one of the country’s most acclaimed actors – was present at the funeral, not wearing the Islamic headscarf as is still demanded by the law in the Islamic republic.

Images posted by media based outside Iran showed her seated next to a man – the former Iranian international striker Ali Daei – at the funeral and then carrying her father’s coffin with other men.

Taraneh Alidoosti had strongly supported 2022 nationwide protests against the authorities and at the time posted a picture on social media defiantly showing herself without a headscarf.

Hailed as a hero by supporters of the movement, she was held for almost three weeks in prison and said she was putting her acting career on hold to support families of those killed in the crackdown on protests. — AFP

NEW YORK, Nov 4 — US rock legend Bruce Springsteen, a staunch Democrat, urged election officials Tuesday to resist any government voting interference amid fears President Donald Trump’s administration may intervene in the midterms.

“I’m speaking to election officials and representatives of our government on election day. You have sworn an oath to preserve, protect and defend our Constitution,” the 77-year-old said in a video on Instagram.

“That means you have a solemn duty to ensure that our votes are securely counted,” he said. 

“You who represent us must never consent to any directives that undermine our constitutional right to a free and fair election.”

“Our vote is our voice, and it’s up to you to ensure that our voice is heard,” added Springsteen, wearing a brown flannel shirt.

Trump, whose Republicans face an uphill battle to keep control of Congress, has repeatedly questioned the integrity of US elections and urged his party to “nationalize” voting in at least 15 places.

The White House says it is protecting election security, and many of the feared scenarios remain hypothetical.

Springsteen, known for his tracks Born to Run and Dancing in the Dark, is a vocal Trump critic and backed Democratic nominee Kamala Harris before her 2024 presidential election defeat.

On Monday, he endorsed leftist Abdul El-Sayed, the Democratic candidate in a key Senate race in Michigan whose progressive views have repelled some party members.

“Dr El-Sayed is a fighter for our American Constitution, he’s a fighter for our American Democracy, and he’s a fighter against the corrupt, lawless, and anti-American leadership currently in the White House,” Springsteen said on X.

Springsteen earlier this year released the protest song Streets of Minneapolis, a tribute to two Americans killed by immigration authorities carrying out Trump’s mass deportation drive in the northern US city. — AFP

KUALA LUMPUR, Nov 3 — The French Film Festival 2026 returns to Malaysia this month with 10 films in Kuala Lumpur, Penang, Johor Bahru, and Kuching.

The 24th edition of the festival runs from November 19 to December 6 and features a diverse selection, from major contemporary productions and historical dramas to animation, romance, comedy, and celebrated classics.

Among the films are Les Misérables (2026), The Phantom of the Opera (2026), De Gaulle: Resistance (2026), De Gaulle: Liberty (2026), The Electric Kiss (2026), Just an Illusion (2026), The Chorus (2004), Don't Look Now: We're Being Shot At! (1966), Marsupilami (2026), and Arco (2025).

The festival is organised by Alliances Française centres in Malaysia with the support of the French Embassy in Malaysia and GSC International Screens, the event’s official cinema partner.

Beyond film screenings, Alliances Française is looking to explore potential collaborations between the French and Malaysian film industries, particularly in production, talent development, and animation.

It said The Phantom of the Opera (2026) director Alexandre Castagnetti will be attending the festival's opening on November 18 and meeting with Malaysian filmmakers and film studies students.

An exhibition on André Malraux, a former French Minister of Cultural Affairs who played a significant role in promoting French cinema, will also be held at Alliance Française de Kuala Lumpur in mid-November.

Alliance Française de Kuala Lumpur executive director Thomas Feldstein said the festival aims to provide Malaysian audiences with an opportunity to explore the diversity of French cinema, while fostering connections between the two countries through shared cultural experiences.

“Through cinema, whatever your cultural background, you can open the eyes and minds of people. French cinema has very specific assets to show to the world. I think that anyone can understand, anyone can find themselves into the cinema.  

“It makes connections between culture, people, and emotions. We are happy to promote, to propose this lineup and this programme this year again, to offer a good window to the Malaysian audience to the French cinema, and we hope that Malaysian audience will find themselves into the French cinema,” he told Bernama.

Alliance Française de Penang director Michel Gonçalves said French cinema places considerable emphasis on human stories and relationships, making it a meaningful platform for connecting people across cultures.

“French cinema has a strong ability to connect people. The human stories behind those movies are something we really focus on. We are here in Malaysia to connect both countries and cultures, France and Malaysia, and cinema is one way to do that,” he said.

Alliance Française de Kuala Lumpur cultural manager Éléonore Dalzon said France's strength in animation, including through the leading cultural and creative industries institution, the Gobelins school in Paris, offers opportunities for collaborations between Malaysian and French universities.

“It's something we would like to work on to bring Malaysian students in France as well as French students here in Malaysia, for example in the field of animation,” she said.

Dalzon said this year's selection aims to introduce different aspects of French culture beyond its traditional associations with food and lifestyle, including its arts, history and heritage.

The French Film Festival 2026 screenings will take place in Kuala Lumpur from November 19 to 29, Kuching (November 19 to 22), Johor Bahru (November 26 to 29), and Penang (November 26 to December 6) at GSC Mid Valley Megamall and GSC 1 Utama in the Klang Valley, GSC Gurney Plaza in Penang, GSC The Mall, Mid Valley Southkey in Johor Bahru, and GSC CityONE Megamall in Kuching.

Further information on screening schedules and ticket sales will be announced through Golden Screen Cinemas and the official French Film Festival channels. — Bernama

BANGKOK, Nov 3 — Thailand’s entertainment industry has been rocked by allegations that well-known directors, actors and other industry insiders were among members of an online group accused of sharing women’s photos, voyeuristic content and AI-generated nude images without their consent.

The allegations surfaced on October 28 after a whistleblower on X exposed the Facebook group, claiming that its members shared photos and videos of women, sexually harassed their targets and circulated AI-generated nude images. 

According to the whistleblower, the Facebook group was created in April 2025, required a specific link to enter and grew to as many as 230,000 members. 

Among them were individuals said to be working in the film, television and advertising industries, including directors, cinematographers and actors known for their roles in Thai Boys’ Love (BL) dramas. 

The group also reportedly used special symbols in its name to evade search detection and initially targeted members of popular Thai girl group BNK48, before expanding to other female celebrities, journalists and ordinary women, according to Hong Kong publication Sing Tao Headline.

The allegations have also raised concerns that some industry professionals may have exploited their access to female celebrities and models to obtain photographs, which were then allegedly shared within the group. 

Meanwhile, Thai actor Tharatorn Jantharaworakarn (also known as Boom) who is best known for his roles in GMMTV series We Are (2024) and Only Friends: Dream On (2026), was recently accused of secretly filming and harassing female artistes under the same agency. 

The 28-year-old subsequently issued a statement on social media denying the allegations, urging the public to exercise caution and verify information before sharing it, reported Sing Tao Headline. 

The whistleblower later reportedly clarified that Boom was not linked to the Facebook group scandal and that the allegations against him were unrelated to the case.

The scandal has been dubbed Thailand’s version of the South Korea Telegram Nth Room case, a notorious 2020 digital sex crime network in which sexually exploitative content of women and girls was created, distributed and sold primarily on Telegram. — AsiaOne

KUALA LUMPUR, Nov 3 — After more than four years of touring the globe, The Weeknd is bringing his blockbuster After Hours Til Dawn tour to a close in Kuala Lumpur, where an estimated 130,000 fans are expected to turn out for its two-night finale.

The Canadian superstar will take over TM National Stadium in Bukit Jalil on November 4 and 5, with concert organiser Live Nation Malaysia anticipating crowds of around 65,000 each night.

For Live Nation Malaysia managing director Paramananthan Rajagopal, securing the tour’s grand finale marks a major milestone for Malaysia’s live entertainment scene.

“Obviously, The Weeknd is one of those shows Malaysian fans have been anticipating for a very long time.

“This is the final stop of his tour, and I feel like the stars aligned for us to secure the grand finale of a five-year global run — it’s going to be epic.

“It’s a major year for both Live Nation Malaysia and Malaysian concertgoers,” he told Malay Mail today.

Two fans proudly show off their The Weeknd concert T-shirts at the ‘After Hours Til Dawn’ merchandise pre-sale in Bukit Jalil on November 3, 2026 ahead of the tour’s two-night Kuala Lumpur finale. — Picture by Raymond Manuel

That anticipation has already spilled over into a dedicated merchandise pre-sale at Bukit Jalil, which organisers added to the schedule to cope with overwhelming demand.

Speaking to Malay Mail at the event, Paramananthan said the additional shopping day was not part of the original plan.

“This wasn’t supposed to happen, but demand was so high that we created a pre-sale ahead of the main show just to accommodate everyone,” he said.

With tens of thousands of concertgoers descending on Bukit Jalil over the next two nights, organisers are also bracing for heavy traffic around the stadium.

Paramananthan urged fans to use public transport instead of driving, with train operating hours extended until 12.30am to ease the post-concert rush.

Live Nation Malaysia managing director Paramananthan Rajagopal speaks to Malay Mail during The Weeknd merchandise pre-sale event at Bukit Jalil November 3, 2026. — Picture by Raymond Manuel

He thanked Federal Territories Minister Hannah Yeoh and Prasarana Malaysia Berhad for helping coordinate the arrangements, adding that the extension was limited by tight operational schedules ahead of the following working day.

The possibility of rain poses another challenge for the outdoor concerts, although Paramananthan said organisers were prepared to work around Malaysia’s unpredictable weather.

“We also know the weather isn’t ideal for outdoor concerts, but we embrace it. As Malaysians, we understand the weather pattern really well — it rains, and then it stops.

“That’s why we make the most of the dry windows, ensuring everyone can move around smoothly, grab their food and merchandise, and enjoy the experience,” he said.

The After Hours Til Dawn tour, which officially began on July 14, 2022, at Lincoln Financial Field in Philadelphia, Pennsylvania, has become the highest-grossing tour by a male solo artist, raking in approximately US$1.07 billion (RM4.36 billion) as of September 2026, according to Pollstar.

The record-breaking figure is expected to grow further once earnings from the tour’s final Asian leg are tallied.

LONDON, Nov 3 — Veteran British rock band Deep Purple have postponed their United Kingdom (UK) and European tour after frontman Ian Gillan required “urgent medical attention” following a medical problem last week, reported PA Media/dpa.

In a statement following the incident, which led to the postponement of two gigs in Leipzig and Hamburg over the weekend, the 81-year-old said continuing the tour would pose “very serious risks”.

He also thanked fans for their support.

Gillan said: “Dear Friends, thank you for all the good wishes and support over the last few days; it means the world.

“I had a medical problem whilst in Leipzig, which required urgent attention at the hospital.

“I was hoping that I would get the all-clear to hang on until the end of the tour, but there are very serious risks involved in me doing so.

“As a result, and on the advice of my medical team and management, we have made the decision to postpone the rest of the European/UK 2026 tour until further notice.

“I’m very sorry about any inconvenience this may cause, but it’s in the best interest of all involved. Thank you for your understanding.”

No further information about ticket arrangements has been announced.

The band, best known for songs such as Smoke On The Water, Highway Star and Black Night, were due to perform in Newcastle, Glasgow, Birmingham, Manchester and London in November as part of their Splat! World Tour.

In an announcement issued just hours before the band were due to perform at Leipzig’s Quarterback Immobilien Arena on Saturday, they expressed “deep disappointment” over having to cancel the shows.

The statement said: “Deep Purple regret to announce that tonight’s Leipzig and tomorrow’s Hamburg shows cannot go ahead due to a medical emergency involving Ian Gillan, who is currently hospitalised.

“We apologise to our fans.

“We understand that this announcement comes at short notice and share the disappointment of all our wonderful fans that we are unable to perform in Leipzig and Hamburg.

“Deep Purple and their team are focused on finding a suitable time to reschedule both these shows.

“All tickets purchased will be valid for the rescheduled dates.”

When Gillan joined Deep Purple in 1969, he became part of the band’s “Mark II” line-up, alongside bassist Roger Glover, guitarist Ritchie Blackmore, keyboardist Jon Lord and drummer Ian Paice.

The new line-up marked a shift towards a heavier hard rock sound, moving away from the psychedelic style of the group’s first two albums.

The “Mark II” line-up is known for three critically acclaimed albums: Deep Purple In Rock (1970), Fireball (1971) and Machine Head (1972).

Gillan left the band in 1973 and went on to pursue several solo projects, most notably with his band Gillan.

He also spent a short time as the frontman of Black Sabbath before rejoining Deep Purple in 1984.

Gillan left again in 1989 before returning in 1992, and has remained the group’s lead singer ever since.

The band’s current line-up comprises Gillan, Glover, Paice, Don Airey and Simon McBride. — Bernama-PA Media/dpa

SEOUL, Nov 3 — BTS fans hoping to tick off one of Busan’s most popular ARMY pilgrimage spots have just one year left to make the trip, after Jimin’s father announced plans to close his café, ZM-illennial.

The fan-favourite destination, packed with BTS memorabilia, artwork and gifts dedicated to the K-pop star, is set to shut its doors in 2027 after years of welcoming visitors from around the world.

The announcement came in an Instagram post on November 1, with the café launching a 365-day countdown to its closure.

“Starting from today, ZM-illennial has 365 days left with you,” the post read.

No reason was given for the decision, according to The Korea Herald.

For ARMY, however, ZM-illennial has never been just another coffee spot.

Operated by Jimin’s father, the café has become a must-visit destination for fans travelling to Busan, the hometown of both Jimin and fellow BTS member Jungkook.

 

 

 

 

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Inside, visitors are greeted by displays of BTS memorabilia, portraits of Jimin and gifts sent by fans, giving the space a distinctly personal connection to the singer.

Fans can also browse merchandise, leave messages for Jimin in guest books and, if they’re lucky, meet his father, who occasionally greets visitors and signs autographs.

The café first opened as Magnate in 2019 before being renamed ZM-illennial, building a following among local and international ARMY along the way.

Its popularity has made it a regular stop on fan itineraries, offering visitors a chance to connect with Jimin’s roots and the wider BTS fandom.

In its farewell announcement, the café thanked those who had supported it over the years, particularly fans who had travelled long distances to visit.

“To everyone who has visited, cherished, and continued to support ZM-illennial with unwavering love and kindness, we sincerely thank you from the bottom of our hearts,” it said.

The café also expressed hope that its remaining year would be an opportunity to create more memories rather than simply mark the days until its closure.

“We hope these 365 days will be more than just a countdown, but a precious time to create more happiness and memories together,” the post added.

While an exact closing date has not been confirmed, the announcement gives fans one final year to experience the Busan landmark before it disappears from the ARMY travel map.

HONG KONG, Nov 3 — A 61-year-old man has been arrested over the suspected drugging of former Japanese adult film star-turned-DJ Mao Hamasaki at a Hong Kong nightclub, where she reportedly suffered paralysis and convulsions before being rushed to intensive care.

Hamasaki, 33, who performs as DJ Mao, fell seriously ill after consuming a drink during a private Halloween event in Tsim Sha Tsui early Sunday.

According to the South China Morning Post (SCMP) and The Standard, police arrested the man in Central yesterday following an investigation into the incident at PP Club on Mody Road.

He remains in custody on suspicion of administering poison with intent to injure.

Hamasaki, discharged from Queen Elizabeth Hospital yesterday afternoon, has since described noticing cloudy sediment in her drinks but dismissing it as fruit pulp.

In a Japanese-language post on X, she recalled drinking two small orange-flavoured cocktails before taking to the DJ booth.

About 40 minutes to an hour later, her memories became hazy and her eyes felt unusually dry.

After raising another glass with a customer during her set, her body suddenly stiffened, leaving her unable to move her arms or legs before she lost consciousness.

Her next clear memory was waking up in an ambulance. She later learnt she had suffered convulsions.

According to The Standard, Hamasaki had earlier performed in Wan Chai before heading to the Tsim Sha Tsui venue with her 44-year-old manager, surnamed Mak.

The newspaper reported that a stranger approached her around 3.30am and offered her orange juice.

Her manager subsequently noticed white powdery residue at the bottom of a glass and sought help when she became seriously unwell.

Police received a report at around 4.57am that a female DJ had fallen ill after consuming a drink at the venue.

Hamasaki was taken to Queen Elizabeth Hospital and admitted to intensive care.

Her manager told Hong Kong media that urine tests had returned positive results for four drugs, a finding Hamasaki also mentioned in her account.

However, no independently verified toxicology report has been made public.

Reflecting on the ordeal, Hamasaki said she had experienced the “terror and harm” of drugs first-hand, according to an English translation of her Japanese statement reported by SCMP.

She also said doctors had warned that her condition was dangerous.

“My consciousness is completely clear, and I am steadily recovering,” she wrote on X yesterday, according to SCMP.

Hong Kong news outlet HK01 reported that Hamasaki left hospital with her manager yesterday afternoon. Asked about her condition, she replied “OK”, thanked reporters and made an OK hand gesture.

Her manager later said they had visited a police station to assist investigators.

Hamasaki has since urged nightclub-goers to watch their drinks and replace beverages left unattended. She said she would refrain from further public comments while cooperating with police.

Police have yet to establish publicly how the suspected substances entered her drink.

Hamasaki retired from the Japanese adult film industry in 2024 and has since pursued a DJ career in Hong Kong, where she has also appeared in a television drama.

HONG KONG, Nov 3 — Hong Kong comedy legend Stephen Chow’s most beloved movie characters are getting a new lease of life through artificial intelligence, as a venture backed by his entertainment company looks to transform them into a global animation franchise.

Characters from cult favourites such as Kung Fu Hustle, God of Cookery and CJ7 are being reimagined as AI-generated cartoons under Shin Shin Legends, an initiative linked to Chow’s entertainment and investment company, Bingo Group.

The project aims to build a new animated universe around the characters, complete with original storylines, merchandise and licensing opportunities, taking a page from the playbooks of entertainment giants Marvel and Disney.

According to the South China Morning Post (SCMP), the venture’s creative direction is being spearheaded by Singaporean Ignatius Yong, senior adviser and spokesperson for Shin Shin Legends, who also happens to be a lifelong fan of Chow’s films.

“Chow has always been one of my idols. I have watched almost every movie of his 20 times. Hong Kong has always been able to export its movies to the rest of the world, so why not new creative content? I think in animation, it gives us a chance to do that,” Yong told the newspaper.

Among the characters getting an animated makeover are the formidable landlady from Kung Fu Hustle, the eccentric God of Cookery, the alien creature from CJ7 and Yu Fa, the cross-dressing schoolgirl character familiar to Chow’s fans.

But these are not straightforward recreations of their big-screen counterparts.

Instead, the team is developing entirely new backstories and personalities, allowing the characters to evolve beyond their original films.

“Our characters are very different [from the movies]. I would say they are inspired by the characters in Chow’s movies, but they have a totally different backstory. In this way, they are not the same,” Yong explained.

The project is also embracing AI to dramatically reduce animation production costs, which Yong said have fallen from around 300,000 yuan (RM184,000) per minute to between 3,000 and 5,000 yuan per minute.

The savings could open the door to emerging creators and independent talents who might otherwise struggle with the expense of traditional animation.

“In the end, what really sells content is the story. It has to be interesting. People have to enjoy it. We think this is a window to bring different characters that Mr Chow has created into a new universe,” he said.

 

 

 

 

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For now, Shin Shin Legends is concentrating on short-form animations for Douyin, China’s version of TikTok, where its account has attracted more than 800,000 followers.

Interestingly, its biggest audience comprises children under 12, while viewers aged 50 and above form the second-largest group — suggesting the cartoons are striking a chord with both a new generation and those who grew up watching Chow’s films.

The characters have also begun making their way into commercial collaborations.

In Hong Kong, Shin Shin Legends recently teamed up with popular snack shop Chicken Egg Boy on a creation combining three local favourites: egg waffles, pineapple buns and char siu pork.

The venture has also collaborated with traditional bakery Hang Heung on a mooncake promotion and showcased its reimagined characters at Hong Kong Comic Con 2026.

Although mainland China remains its primary market, Yong has his sights set on international expansion, with plans to eventually dub the AI-generated animations into English.

“The way I see it, the characters should transcend not only Hong Kong [and mainland] China, but also into the international market. Animation reaches beyond language,” he said.

“We want the fans who grew up with Stephen Chow movies as well as younger audiences. This is fun content and suited for the whole family.”

As for Chow himself, the actor-director is not directly involved in producing the animations but receives regular updates and occasionally weighs in on their creative direction.

“He actually gives us a lot of freedom for our creativity,” Yong said.

“Periodically we will bring him some of the characters we have built and he will give input. Usually, he asks a lot of questions, like, ‘So what is so special about this character?’ and ‘What do you think audiences will like about this character?’”

“He is always thinking about how we can make it more interesting, more funny.”

WASHINGTON, Nov 3 — The Kennedy Centre, the famed Washington arts hub that President Donald Trump has sought to overhaul, yesterday named singer Paul Anka and actor Andy Garcia among five honourees recognised for lifetime artist contributions.

Composer and producer David Foster, playwright David Mamet and musician Barbara Mandrell were also listed as recipients of the Kennedy Centre Honours, one of the United States’ highest arts awards.

This year’s ceremony will for the first time be hosted at Washington’s Capital One Arena rather than the Kennedy Centre, which has been shuttered since September amid a legal battle over renovations.

The Kennedy Centre — inaugurated in 1971 following the assassination of US president John F. Kennedy — is also the target of Trump’s contested effort to rename it the Trump-Kennedy Centre.

Trump hosted last year’s awards programme, which included Rocky actor Sylvester Stallone, country singer George Strait, disco legend Gloria Gaynor and rock band KISS.

The Kennedy Centre had long enjoyed bipartisan support before Trump appointed himself board chairman in February 2025, pledging to end “woke political programming” at the site.

A host of artists cancelled concerts at the venue in response to Trump’s takeover, while US media has reported that Kennedy Centre ticket sales have plummeted. — AFP

NEW YORK, Nov 3 — American lifestyle guru Martha Stewart apologised late Sunday for an “insensitive and not funny” Halloween costume after she appeared to dress up as a homeless person.

“It’s hard to admit when you’ve really screwed up,” the billionaire, 85, wrote on Instagram after she deleted a photo of herself in ripped jeans, a torn sweater and a dirtied face.

Stewart also held a clipboard that read “I Am Hungry Help Me!!” Social media users quickly slammed her as out of touch.

“I know many people are suffering economically. Wearing a costume like I did was insensitive and not funny. I am very sorry,” Stewart said in a statement.

She also acknowledged that an earlier explanation to US media, claiming she had intended to raise awareness of homelessness through her costume, “didn’t go far enough.”

Stewart built her success in the homemaking and lifestyle industries.

Through her cookbooks, magazines, television shows and retail housewares, Stewart became the personification of gracious living and America’s most high-profile lifestyle expert. — AFP

NEW YORK, Nov 2 — Juan Atkins, a Detroit producer and pioneer of the techno music genre, has died at 64, his agency said on Sunday.

Atkins was found unresponsive in his hotel room ahead of a planned performance in Mexico City and later pronounced dead at hospital, his agency Greensmith Artists told Resident Advisor music magazine.

“So many years. So many stages. So many moments we’ll never forget. And somehow, we always thought there would be more,” Greensmith Artists said in an Instagram post, accompanied by a video of one of Atkins’ past performances in a London nightclub.

Atkins began his music career in 1980, when he formed Cybotron with Richard Davis.

The duo released Clear in 1983, which became one of the defining records of the techno genre.

Born in 1962, Atkins and classmates Kevin Saunderson and Derrick May were known as the “Belleville Three” and are recognised as the founders of the genre.

Atkins is credited with coining the term “techno” with his 1988 track Techno Music, part of the compilation album Techno! The New Dance Sound Of Detroit.

“Juan was the originator of Techno, a true visionary who opened the door for so many of us, myself included,” Saunderson said in a tribute on Facebook. — AFP 

KUALA LUMPUR, Nov 2 — Malaysian singer Aina Abdul is set to take the final spotlight at the inaugural Eurovision Song Contest Asia 2026, with her song Bluest Sky securing the closing performance slot.

The singer will be the 11th and final act to take the stage when the competition makes its debut at One Bangkok Forum in Bangkok, Thailand, on Saturday, November 14.

The official running order, announced on October 29, places Malaysia last in a line-up featuring artists from 11 countries across Asia.

Aina will perform after Nepal’s Pratik Himal Rai, bringing the curtain down on a night of performances spanning pop, R&B, ballads, folk and traditional music.

Vietnam’s Tóc Tiên will kick off the show with EM TIÊN, followed by acts from Cambodia, Laos, Mongolia, Bhutan, the Philippines, Bangladesh, Thailand, South Korea and Nepal.

The complete running order is as follows:

1. Vietnam: Tóc Tiên — EM TIÊN
2. Cambodia: Monetrey — I Let You Go
3. Laos: Thinla — BAE
4. Mongolia: Beck — Chamguigeer (Without You)
5. Bhutan: Nyendra — Lhayi Semo
6. Philippines: CARMELLE — Sobra-Sobra
7. Bangladesh: Beatmosphere — Tumi Ele
8. Thailand: MANG x DAOU — Aroma
9. South Korea: JUNHEE — DEEP DIVE
10. Nepal: Pratik Himal Rai — Ananta Maya
11. Malaysia: Aina Abdul — Bluest Sky

The inaugural contest brings together solo performers, duos and groups, including a cappella and beatboxing acts, in a showcase of the region’s musical diversity.

Aina’s closing slot has already sparked excitement among Malaysian fans on social media, with some seeing it as a fitting opportunity for the singer to make a lasting impression.

“Save the best for the last.

“Aina Abdul of Malaysia,” one user commented.

Another social media user pointed to the growing online buzz surrounding Aina and Bluest Sky ahead of the competition.

The song, co-written by Aina and Malaysian music producer Mac Chew, will be Malaysia’s entry in the first Asian edition of the long-running Eurovision franchise.

Whether Aina has any surprises planned for her closing performance remains to be seen, adding to the anticipation as she prepares to represent Malaysia on the regional stage.

Eurovision Song Contest Asia 2026 will be broadcast live on TV3 and streamed on Tonton on Saturday, November 14, at 9.30pm Malaysian time.

KUALA LUMPUR, Nov 2 — Canadian music superstar The Weeknd has touched down in Kuala Lumpur ahead of his back-to-back After Hours Til Dawn stadium concerts this week, marking the final international stop of his historic world tour.

The four-time Grammy winner, whose real name is Abel Tesfaye, teased his arrival on Instagram Story earlier today, posting a panoramic view of a rain-swept city centre with both the Petronas Twin Towers and Menara Kuala Lumpur in full frame.

The global pop icon will take the stage at the National Stadium in Bukit Jalil on November 4 and 5. Having swept through the Americas, Europe, and Australia since kicking off in 2022, the stadium spectacle made its long-awaited Southeast Asian debut this year, with Kuala Lumpur securing the distinction of hosting the tour’s final two closing dates.

Key members of Tesfaye’s touring party, including choreographers, dancers, personal trainers, and pyrotechnic crew members, also arrived in the federal capital ahead of setup and stage rehearsals, sharing glimpses of their journeys and local sights on social media.

Longtime creative collaborator La Mar Taylor, the co-founder and creative director of the singer’s label XO Records, similarly shared skyline views overlooking the city.

The Weeknd arrives in Malaysia fresh off a four-night run in Hong Kong that concluded on October 31, which dominated social media following the surprise live debut of his new single titled ‘Hong Kong’. The track, which landed on digital streaming platforms the same evening, earned widespread acclaim for sampling Cantopop diva Faye Wong’s iconic 1993 ballad Monsoon. Throughout the tour, the singer has frequently introduced location-inspired releases, previously unveiling regional tracks tied to his tour stops in Brazil and Japan.

The After Hours Til Dawn Tour secured a place in music history late last year after surpassing 7.5 million ticket sales and grossing over US$1 billion (RM4.1 billion), cementing its status as the highest-earning concert tour ever mounted by a male solo artist.

LOS ANGELES, Nov 2 — You Can See Everything, the documentary about jailed biotech fraudster Elizabeth Holmes that is generating major Oscars buzz, prevailed in a slow weekend at the Halloween box office in North America, industry estimates showed Sunday.

The three-hour A24 documentary, co-directed by comedian Nathan Fielder and Lance Oppenheim, earned US$10.6 million in the United States and Canada, Exhibitor Relations said.

The film follows the Theranos founder and her family for a month before she began an 11-year prison sentence in 2023 for fraud and conspiracy, after making lofty promises about innovations in medical testing, on which she failed to deliver.

The scandal fuelled a media circus and was chronicled in a book, multiple podcasts, and the biographical mini-series The Dropout, starring Amanda Seyfried – who has sparked some awards chatter with her surprise cameo in You Can See Everything.

The film has even entered the best picture Oscar conversation.

Clayface, a gory Batman villain origin story from Warner Bros. and DC Comics, finished a close second with US$10.4 million.

Wildwood, a stop-motion animation tale from Laika Studios about a young girl who ventures into an enchanted forest to rescue her kidnapped brother, held in third place with US$7.5 million.

“This weekend’s numbers are weak. Last Halloween had the same trouble, and this one looks like it’s coming in below that,” said David A. Gross of Franchise Entertainment Research.

“Clayface and Wildwood would be doing significantly better if kids, teens and young adults weren’t focused on costumes, candy and trick-or-treating -- Wildwood especially.”

Fourth place went to Black Bear’s Wicker at US$4.1 million.

The film stars Olivia Colman as a lonely fisherwoman and Alexander Skarsgard as her fantastical husband made out of wicker, whose housework – and bedroom skills – quickly become the talk of the town.

In fifth place, dropping a spot from last week, was Paramount’s video game adaptation Street Fighter at US$3.2 million.

Rounding out the top 10:

• BTS World Tour – Sao Paulo (Live) (US$2.8 million)
• Resident Evil (US$2.53 million)
• Other Mommy (US$2.5 million)
• The Only Living Pickpocket in New York (US$1.8 million)
• Heart of the Beast (US$1.6 million)

— AFP

LOS ANGELES, Nov 2 — Michael Mann, the acclaimed director of crime classics “Heat” and “Collateral,” accidentally shot himself at a gun range in Los Angeles, resulting in minor injuries, a statement released on Sunday said.

“On Saturday, at a gun range, a weapon accidentally discharged while holstered resulting in a superficial injury to film director Michael Mann. He was treated and is being released,” a representative of the filmmaker said in a statement.

The Los Angeles Police Department confirmed that they had responded to a “shots fired” incident around 4:00 pm local time and that the shooting was “determined to be accidental.”

Mann, 83, is said to be an experienced target shooter and is known for the intense and realistic gunplay in his movies, many of which are staples of the crime thriller genre.

He has directed an array of well-known films, including “Thief,” “The Last of the Mohicans,” “Public Enemies,” “The Insider” and “Ali.”

But he is perhaps best known for “Heat,” which pitted Robert De Niro playing a master criminal against Al Pacino’s police officer in a taut thriller.

The film’s iconic final scene sees Pacino stalking De Niro in the dark beside an airport runway, both men with their guns drawn. — AFP

SEOUL, Nov 1 — A song with no human singer has climbed to No 2 on South Korea’s Melon Top 100, and the country is now asking what counts as an artiste.

The Adult I Dreamed Of, by the little-known act Meomuru, reached the flagship streaming chart earlier this week and has made it one of the most-talked-about acts in South Korea, the South China Morning Post (SCMP) reported today.

Behind it is Glorywave, a songwriting and production duo of Lee Yong-seok and Choi Sung-hyuk, who have worked with South Korean artistes for more than a decade.

The pair came up with the concept and wrote the lyrics, then used the AI platform Suno to generate the melody, arrangement and vocals, before editing, mixing and mastering the track themselves.

So the ideas and the words are human, while the voice and the tune are not.

That sets Meomuru apart from virtual boy band Plave, whose animated characters are driven by motion capture and facial tracking, but whose human members sing, dance and interact with fans.

It is closer to American R&B act Xania Monet, whose Suno-generated vocals sit over lyrics by poet Telisha “Nikki” Jones, and whose chart success has drawn fire from musicians such as Grammy-winning Victoria Monet, who say AI acts undercut working performers.

Listeners in South Korea are split, and largely by age.

The cover image for the song ‘The Adult I Dreamed Of’ by Meomuru, an AI act created by Glorywave comprising songwriters Lee Yong-seok and Choi Sung-hyuk, climbed to Number Two on Melon, South Korea’s largest streaming chart on October 31, 2026.

Lee Sun-mi, a 41-year-old housewife in Daejeon, found Meomuru’s other songs “a bit too generic” and does not plan to seek out AI music again.

Shin Ji-hye, a 19-year-old university student in Jecheon, said knowing about the AI did not change her view of the song, and that tools like Suno let people who cannot sing or afford a studio make music.

The law offers little clarity, as South Korea’s Copyright Act protects only works with human creative input, but does not say where machine generation ends and human contribution begins.

Glorywave told the Kyunghyang Shinmun daily that they have not registered the song with the Korea Music Copyright Association (Komca) and are not collecting standard songwriting or arrangement royalties.

Komca brought in criteria in August to allow registration of AI-assisted music with a substantial, leading human role, only to withdraw them 22 days later after pushback from the creative community.

Lawmakers are now examining whether the AI Basic Act should be expanded, amid renewed calls for mandatory labelling of AI-generated music.

Suno, meanwhile, faces lawsuits in the United States from labels including Universal Music Group and Sony Music Entertainment, which allege its models were trained on copyrighted recordings without permission.

Music critic Kim Sung-hwan told SCMP that the key is “the original idea behind an AI-generated song”, and whether it came from a human.

KUALA LUMPUR, Nov 1 — Following the success of his folk-horror film White (2025), which grossed more than RM2.5 million at the Malaysian box office, local filmmaker JeRR PS Rion has returned with another supernatural production, Lunar July.

This time, the director is drawing inspiration from the seventh month of the Chinese lunar calendar, commonly known as Ghost Month observed by Chinese communities across East and Southeast Asia.

The film, which opened in Malaysian cinemas on October 29, features an elaborate recreation of the festival, including a towering Da Shi Ye effigy, a grand ceremonial hall and a traditional seventh-month getai stage.

For JeRR, who also directed White, the inspiration for his latest film came from an unexpected experience while promoting his previous production.

In a statement, he revealed that he had the opportunity to venture backstage at a Hungry Ghost Festival stage performance, where he gained firsthand insight into the culture surrounding getai shows and heard numerous stories about what happens both on and off stage.

The experience sparked his interest in exploring the festival and its traditions, eventually becoming the starting point for Lunar July.

Initially conceived as a comedy, the project underwent a major transformation following the box-office performance of White, which helped renew interest in Malaysian folk-horror films.

With audiences anticipating his next project, JeRR and his team decided to abandon the original comedic approach and completely rewrite the screenplay, drawing inspiration from Chinese Malaysian folk culture, traditional customs and religious beliefs.

“During the writing process, I approached local residents to learn more about the origins of the Da Shi Ye legend but was unable to find a definitive explanation,” JeRR said.

“This led the team to question why a deity revered in folk religion would be portrayed in certain tales as a figure responsible for taking the lives of innocent infants.”

Rather than simply reproducing an existing legend, the filmmakers decided to reimagine the story and develop a more complete and uplifting conclusion.

“Through the film, we hope to encourage audiences to look at Da Shi Ye from a different perspective, rather than forming misconceptions about the deity based solely on an unverified tale,” he added.

Beyond its supernatural storyline, JeRR also wants to highlight the values behind the Hungry Ghost Festival’s traditions, particularly the practice of paying respects to wandering spirits, affectionately known as the “Good Brothers”, and making offerings to Da Shi Ye.

He emphasised that these practices are not merely acts of seeking divine protection but also reflect generosity, compassion and care for others.

Combining folk beliefs, religious traditions and horror, Lunar July offers a cinematic exploration of Chinese Malaysian cultural practices surrounding the Hungry Ghost Festival.

The film stars He Jiahao, Mo Peiling and Du Hailun and is currently showing in cinemas nationwide.

KUALA LUMPUR, Nov 1 — Two broke friends, a failing pickle business and a very unusual secret ingredient — that is the recipe behind Curi Makan, a Malaysian indie film now heading to Rotterdam in the Netherlands.

The darkly comic horror satire, known internationally as Ali & Ben’s Spicy Meats, will have its world premiere at the 56th International Film Festival Rotterdam (IFFR), which runs from January 28 to February 7, 2027.

“It’s incredibly rewarding to have our world premiere at IFFR, a festival we’ve long admired for championing independent filmmakers and its historic connection to the Malaysian New Wave over two decades ago,” Iskandar Azizuddin, who founded Feisk Productions with Feisal, told Malay Mail.

The film is among the first 10 world premieres announced on October 29 for the festival’s 2027 edition, and will screen in IFFR’s Harbour programme, which showcases contemporary cinema from around the world.

Its story follows two financially struggling friends whose pickle business takes a gruesome turn after they stumble on an unconventional new ingredient, with elements of cannibalism woven in.

The desperate fix becomes an unexpected hit, until unwanted attention threatens to expose the secret behind their products.

Feisk Productions has nine feature films and more than 40 short films to its name, including Tafakur, Angkat and the more recent Tikus.

Filmmakers and Feisk Production founders Feisal (right) and Iskandar Azizuddin (left) said they hope the film's international debut will eventually lead to a cinema release in Malaysia. — Picture courtesy of Feisk Production

Iskandar and Feisal wrote the script during Ramadan, a few months before filming in 2025, with no wish to follow conventional filmmaking expectations or prevailing trends.

“It was simply Feisal and I being sincere to our cinematic voice and making the film we wanted to make,” Iskandar said.

What the pair want most, however, is for Malaysians to see it, and Iskandar said that while they hope the film will travel to more countries, they would like it to reach cinemas at home eventually.

There is no word yet on when that might happen, and Iskandar did not say why a Malaysian theatrical release has yet to be secured.

“While a Malaysian theatrical release remains uncertain for now, we’re focusing on the film’s international festival journey and finding audiences beyond our borders.

“Many homegrown talents have had to forge their paths internationally before gaining recognition at home.

“Perhaps this is part of our journey too,” he said.

A scene from ‘Curi Makan’, internationally titled ‘Ali & Ben’s Spicy Meats’, which will debut at the Netherlands film festival next year 2027.— Picture courtesy of Feisk Production

It is a familiar bind for independent Malaysian filmmakers, who often have to look beyond the local market for audiences, opportunities and recognition.

The team also hopes the IFFR slot will bring more Malaysian stories to international audiences and put a spotlight on lesser-known local actors whose work deserves greater recognition.

Curi Makan stars Amir Nafis, Syazani Zikry and Bella Imani, and is represented for worldwide sales by Kuala Lumpur-based Abnormal Studios.

Further festival screenings and distribution deals have yet to be announced, but the filmmakers will be hoping Rotterdam opens more doors, and perhaps one that leads back to a cinema in Malaysia.

SINGAPORE, Nov 1 — As his films evolve, so does he.

In his interviews over the years, Hirokazu Koreeda has extensively shared how loss and change has impacted the way he makes his films, and his newest one Look Back is no different.

The critically acclaimed Japanese director was recently in Singapore to receive the Cinema Honorary Award from Singapore International Film Festival (SGIFF).

He sat down with local media at Shangri-La Hotel for a roundtable interview on Oct 23, where he shared his thoughts on adapting Look Back from its original work, a manga (comic) by Tatsuki Fujimoto.

The manga and film follow two girls, Fujino and Kyomoto, over the course of 13 years.

In their elementary years, Fujino – the star of her elementary school paper because of her four-panel mangas – develops a one-sided rivalry when Kyomoto secures her own comic slot.

The rivalry turns into friendship when they meet, and audiences follow them as their friendship blossoms while their manga journeys take flight.

AsiaOne posed the first question of the morning on how Look Back got him reflecting on why he makes movies.

He had shared in earlier interviews that he came across the manga during the Covid-19 pandemic and reading it prompted him to question why people create and make films.

Hirokazu, sat with a cup of black coffee, took a minute to process it.

“Hold on a second – asking ‘why I create’ right at the start... that’s usually the kind of question you save for the very end, isn’t it?” the 64-year-old remarked, prompting laughter in the room.

The answer for himself?

“I think there are many reasons,” he said, going on to explain how he explored this through Fujino.

“If you’ve read the manga, you’ll know that in the sequence leading up to her picking up the pen again, several different elements come into play. It shows that there are people who read her manga and laugh – that’s one part of it – but it goes beyond that,” he said.

Spoilers ahead.

At the end of the story after Kyomoto dies, Fujino starts drawing a new comic, and to Hirokazu, this was her trying to reconnect to her past self before meeting Kyomoto – when she was desperately trying to improve her comic drawing skills and pouring her heart into her work.

Essentially, to “remind herself where it all began”.

“I feel that this was something absolutely essential for her to continue creating comics moving forward. These are the kind of things I found myself reflecting on throughout the process of making this film,” he said.

‘Gazes from the departed’

The movie explores feelings of loss and grief, and it’s not a first for his films; his directorial debut Maborosi (1995) tells the story of a woman who tries to build a new life after she loses her husband to a sudden suicide.

Hirokazu was asked if filming Look Back changed how he understands loss and growing up.

“It’s a bit tricky to say. It’s not so much that I made it because something had changed. This is based on an original work, after all. I don’t really know if creating this brought about any particular change. I don’t go about making things while thinking solely about myself, so to be honest, I’m not really sure how that’s reflected in the work either,” he admitted.

“That said, I first explored the theme of grief back in my 20s, nearly 40 years ago now, so I imagine something must have shifted since then.”

He said his perspective on the matter has changed as he’s spent the past 40 years “getting closer to death”.

For instance, when he first started making films, both of his parents were still alive.

“Now, of course, both of them are gone. Many of the producers and actors I’ve worked with on my films have also passed away – about half of them, I’d say. Naturally, the work I create under these circumstances is bound to be different from what I made in my 20s,” he said.

But loss isn’t the only feeling that comes with their deaths.

He tied it back to Fujino, who continues creating while feeling Kyomoto’s presence.

“I imagine she’ll keep creating with Kyomoto’s gaze fixed on her back. In my own life, there are so many people who have passed away, people who are, in a sense, watching my back. The number of ‘gazes from the departed’ that I’m conscious of has grown significantly. And, in a way, that has become a motivation for me to keep on creating,” he said.

Veteran Japanese actress Kirin Kiki, a friend of his who starred in four of his films, died aged 75 in 2018.

In an interview with The Film Stage published two months after her death, he had briefly mentioned their friendship and said his sense of loss was “tremendous”.

‘That anxiety is gone now’

Koreeda reportedly started his career as an assistant director before he released Maborosi.

His breakout happened nine years after his debut with the 2004 film Nobody Knows, which is based on the 1988 Sugamo child abandonment case and starred a 12-year-old Yuya Yagira.

Since then, he has received numerous accolades, with his notable films including Still Walking (2008), Like Father, Like Son (2013), Our Little Sister (2015) and Shoplifters (2018).

Like Father, Like Son, about two families who are told their sons were switched at birth and must decide which child to keep, won the Jury Prize at the 2013 Cannes Film Festival.

Shoplifters, about a family that relies on shoplifting to cope with poverty, won the Palme d’Or at the 2018 Cannes Film Festival, and was also nominated for the Academy Award for Best Foreign Language Film representing Japan.

In 2022, he had his Korean-language film debut with Broker, which he described as a companion film to Shoplifters.

Featuring a prominent South Korean cast including Song Kang-ho, Gang Dong-won, Bae Doona and IU, it won the Ecumenical Jury Award at the 2022 Cannes Film Festival, with Kang-ho becoming the first South Korean actor to win Best Actor in the festival’s history.

His next film, the psychological mystery thriller Monster (2023), earned widespread critical acclaim, featuring a music score composed by the late Ryuichi Sakamoto.

Hirokazu also won best director at the Asian Film Awards multiple times: in 2009 for Still Walking, in 2023 for Broker and in 2024 for Monster.

With decades of experience in making films, has Hirokazu’s relationship with the filmmaking process gotten easier over time?

“Of course, back when I first started, if each film didn’t turn a profit, I couldn’t get the next one – that’s the situation a director faces right after their debut, so it was constantly like walking a tightrope. Back then, being able to make one film every three years was actually considered quite good, so I suppose I was fortunate,” he recalled.

He said that the first 10 years of his career, up until Nobody Knows, he felt “constantly anxious” about whether he could continue being a director.

“That anxiety is gone now. Of course, that doesn’t mean I’m able to make everything I want to make, far from it. There are still plenty of projects that don’t get greenlit, even now,” he said.

Regarding a genre or subject he wants to explore but has yet to, Hirokazu said for the past 15 years, he has wanted to film a story set in Japan during World War II, but “due to various circumstances”, hasn’t come to fruition.

In an interview with Deadline published in December, he said he’s in the process of writing a script but can’t say if he knows where exactly it’s headed.

“I don’t know if this script is going to become my next film or when I can plan on shooting the film, but I do have a desire to work on another film abroad, in a language that’s not Japanese,” he said.

“And then perhaps after that, I’ll return to Japan and challenge myself by making a work that engages in history – specifically Japan’s experiences during the war – and try to understand that in a new way myself. These are the two things that I hope to be working on.” — AsiaOne

BANGKOK, Nov 1 — There’s nothing like a few tight slaps to a mistress to get viewers riveted to the soap opera-like plot but even this is perhaps too much.

The first episode of Thai actress Baifern Pimchanok’s new drama, released on Oct 23, left netizens amused with its overdramatised scenes, and one in particular is going viral on the internet.

The 34-year-old plays the double role of twin sisters in the Thai drama The Hidden Shadows, also known by its native title Raeng Ngao, based on a novel written by Nanthana Weerachon.

The story follows Munin, who finds her twin sister Mutta’s body in a stream. She assumes her identity to uncover the truth behind her death and seek revenge.

Spoilers ahead.

The viral scene, a flashback, shows Mutta being restrained outside a building by a man while powerful politician Nopnopha (Benz Pornchita) trash-talks and slaps Mutta multiple times for seducing her husband.

A crowd, fearful of Nopnopha, stands by and watches with occasional dramatic exclamations.

One last slap sends poor Mutta rolling down the stairs, but just when you think she’d come to a halt, her body continues tumbling down multiple flights of stairs and landings before she hits the ground.

The crowd screamed and did nothing to help for the entire 20 seconds.

Netizens in the comments section of the episode uploaded on YouTube laughed at the melodramatic scene, adding commentary on the entire episode as a whole.

Screengrab from the famous 20-second staircase fall from Thai drama ‘Raeng Ngao’, known in English as ‘The Hidden Shadows’, that has the internet in stitches.

“It’s like watching a cartoon — so many scenes are just pure fantasy. It’s honestly an insult to my intelligence, but I’m still watching it because I want to see Baifern act,” said one netizen.

Another remarked: “Are people really okay with this kind of plot that completely disregards logic and reason?”

One left an angry rant: “I’m annoyed by those who say it’s just a drama. Stop it! I know it’s a drama, but don’t viewers have the right to question the quality and realism of it? Why not just make the heroine sprout wings and fly, then say it’s just a drama?”

Another scene also drew attention for being “creepy”.

In it, Munin hides Mutta’s corpse in a glass coffin and uses it as a dining table.

“Could it get any more over-the-top? The stairs are so high, yet she didn’t break her neck falling. She’s so tough!” one sarcastically remarked before adding: “And she used a coffin as a table to eat at. This isn’t a drama, it’s a comedy, right?”

Despite the exaggerated scenes, it appears some have found it to be “fun” to watch.

One of the top commenters wrote with a laughing emoji: “Ever since I saw the teaser, I decided that I’ll just watch it for fun, without nitpicking.”

Others felt the same way and said they “let it slide” and “turned off” their brain while watching it.

Indeed, the data published by the drama’s broadcaster One31 TV showed that the first episode attracted over two million viewers in Thailand. — AsiaOne

KUALA LUMPUR, October 31  — The stage is almost set for the return of Malaysia’s highly acclaimed theatre production Puteri Gunung Ledang The Musical (PGL). 

Seventeen years since its last full theatrical run, PGL will once again mesmerise audiences from October 31 to November 15 with 19 shows scheduled for the 15-day run. 

Adding to its appeal this time around, the musical will depart from its flagship home at Istana Budaya to take up residency at the newly opened, state-of-the-art Jeffrey Cheah Performing Arts Centre (JCPAC) Grand Theatre in Sunway Square. 

Despite the leap into modern projection mapping, immersive soundscapes, and advanced stagecraft, director Puan Sri Tiara Jacquelina is adamant about one principle: technology will never override the human core of the story.

“We used to be low-tech and people already loved it and this time, with new technology, we want to see how much further we can elevate PGL but we will never, ever let technology lead. 

“If audiences walk out talking only about lights and projections, we’ve failed. For me, the acting and storytelling must come first,” Tiara said. 

That commitment to storytelling is felt across every layer of the 2026 staging—from its 50-strong ensemble, where every single member has been assigned a specific name, backstory, and social stance within the Melaka court, down to its newly minted lead cast charged with honoring an iconic legacy.

The weight of legacy

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Actor and competitive jujitsu athlete Mila Mohsin sees Gusti Puteri as a huge feminist icon. — Picture by Raymond Manuel 

At the center of this revival is the formidable role of Gusti Puteri Retno Dumilah, famously originated by Tiara herself. 

For actor and competitive jujitsu athlete Mila Mohsin, stepping into her mother’s footsteps carries both immense weight and a profound sense of purpose.

“It’s never easy doing reruns where the character was previously defined by one person—what more when it’s your own mother,” Mila shares candidly. 

“Of course I feel the pressure, but I believe pressure makes diamonds. 

“From young, I’ve always leaned into challenges. I want to be pushed to grow as an artist and as a person.”

To portray the Javanese princess, Mila spent time in Solo, Indonesia, along with some other cast and creative team, immersing themselves in ancient tata krama (royal customs) and Javanese philosophy.

Dissecting the character through a psychological lens rather than treating her as a mere folklore figure, Mila views Gusti Puteri through a distinctly modern framework.

“To me, Gusti Puteri is a huge feminist icon.

“She isn’t just a dancer or a young girl chasing romance—she is fighting for her freedom. That is her ultimate struggle, and that is where I connect with her most,” Mila said. 

Mila approaches the physical demands of the role not through conventional musical dance, but as an embodied athletic and spiritual practice. 

Working under Javanese master Mak Galo, she learned to lower her center of gravity to align with traditional Javanese posture (doyok). 

“Javanese movement is about being closer to the earth—everything is lower, more humble, and set to a slower frequency. 

“It’s not standard dance; it’s like a practice blending martial elements and yoga. As Mak Galo told us: ‘Sakitnya harus dinikmati’—you have to enjoy the painful process,” she said. 

She also draws a strict distinction between off-stage identity and performance, focusing exclusively on how Gusti Puteri would authentically think and act rather than imitating her mother’s established stage habits or relying on her own personality.

Two visionaries, one princess 

This will mark award-winning singer Aisha Retno first time involving with theatre production. — Picture by Raymond Manuel 

To manage the demanding physical, vocal, and cultural demands of the Javanese courtly roles, Tiara implemented a dual-casting strategy for Gusti Puteri, pairing Mila with pop powerhouse and songwriter Aisha Retno. 

Contrary to public speculation regarding rivalry, both performers view the arrangement as a collaborative sisterhood of craft.

“We are completely different performers and people.  

“My mother showed one side of Gusti Putri twenty years ago – The Princess was a historical figure with a million facets.

“In a two-and-a-half-hour show, Aisha will reveal one side, and I will reveal another. There is zero competition between us,” Mila said. 

For Aisha, a Universiti Malaya economics graduate making her musical theatre debut, the transition from commercial recording artist to stage actor required shedding her pop identity entirely.

“I know some people might buy tickets expecting to see ‘Aisha Retno,’ but my goal is to make sure there is no Aisha Retno on that stage,” Aisha explains. 

“As a singer-songwriter, you spend years hiding your pain—even if you’re unwell, you put on a happy face for the audience. 

“But acting allows you to be vulnerable, raw, and broken, you get to channel real life experiences—like a heartbreak—directly into the dialogue.”

Aisha, whose mother possesses Javanese roots and personal experience in keraton (royal palace) traditions, credits both her family and Assistant Director Sabrina Hassan for helping her navigate the intense psychological demands of stepping into character without bringing the heavy emotional weight home.

Not just that, Tiara was also fascinated by Aisha’s grounded professionalism, pointing out that despite a punishing schedule of traveling and out-of-state shows, she arrives punctually for rehearsals without pretense— which Tiara describes as a rare degree of dedication for an established artist.

Aside from the dual-casting role strategy for Gusti Puteri, Tiara also uses the same approach with Bayan, Gusti Puteri’s loyal lady-in-waiting, which is split between singer Mimifly and actress-singer Nadia Aqilah. 

The tormented Laksamana

Potraying the legendary Hang Tuah is a dream come true for actor and singer Aqasha. — Picture by Raymond Manuel 

Opposite the Princess stands the legendary Hang Tuah, portrayed by actor and singer Aqasha. 

For Aqasha, taking on the legendary warrior is the realisation of a two-decade journey that began when he served as an understudy in the show’s original 2006 run.

“I’ve spent twenty years dreaming of this and I am a fan of this show, its poetic literature, and its score first and foremost. 

“When I was an understudy twenty years ago, my younger self focused mostly on the romantic, ‘lovey-dovey’ aspect of falling in love with the Princess. 

“But coming back to it today, I see Tuah through a completely different lens,” Aqasha said. 

Rather than playing a romantic hero or an untouchable martial arts archetype, Aqasha grounds his portrayal in internal conflict.

“This time, I’m exploring how Tuah serves the Sultan and what his loyalty to Melaka truly costs him – Is he just another general living off wages, or is he a man bound by an unbreakable oath? 

“He is a deeply tormented man– torn between his personal desire for love and his unyielding duty to his sovereign,” he said. 

Rather than fearing comparisons, Aqasha encourages audiences to view the production through the lens of musical storytelling—focusing on themes of love, duty, and sacrifice—to fully appreciate the character’s emotional depth.

The legend returns

From the royal courts of Majapahit to the mighty Sultanate of Melaka and the mist-shrouded heights of Gunung Ledang, PGL tells an epic tale of love, loyalty, power and sacrifice.

After months of preparations, PGL will be premiering its first full show today with all 23,000 tickets already sold out since August for its 15-day run. 

 

 

 

 

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Although there’s no update of any new added dates for its JCPAC run, PGL will be making its way to Singapore next year. 

As confirmed by theatre venue Esplanade Singapore via its social media, PGL is set to arrive at Singapore shores in part of its Pesta Raya - Malay Festival of Arts in April next year with priority bookings set to open starting from November 4 to November 10. 

The Singapore run will also feature the same lineup of the new generation of cast. 

Apart from the cast, PGL also boasts an experienced creative team with visual projections overseen by Datuk Yusry Abdul Halim of KRU Studios, wardrobe creations by Singaporean couturier Fatimah Mohsin, stagecraft by scenic designer Raja Malik, and backstage operations led by Tiara’s long-time technical director, Roslidah “Cik Lid” Ali.

SEOUL, Oct 30 — South Korean actor Choi Bool-am, 87 widely known as the nation’s father figure for his portrayals of paternal characters in popular television dramas, has died, his family said Friday, Yonhap News Agency reported.

Choi, whose real name was Choi Young-han, died at around 10pm Thursday while receiving treatment at a hospital in western Seoul, according to his family.

The actor had experienced difficulties walking after undergoing surgery for a herniated disc in March last year, prompting him to step down as host of the KBS documentary programme Korean Food Table, which he had hosted for 14 years since 2011.

Choi became a household name through his role as detective Park Young-han in MBC’s long-running crime drama Chief Inspector, which aired from 1971 to 1989.

In an essay, Choi called Chief Inspector one of his favourite works, saying his heart still beats when he hears the theme song for the TV series, saying he learned a lot about life through it.

He cemented his reputation as a Korean father figure through his role in MBC’s rural family drama Country Diaries, which ran for 22 years from 1980 to 2002, one of South Korea’s longest-running television series.

Throughout his acting career of nearly seven decades, Choi was a versatile actor, with his performances spanning across TV, films and theatrical plays.

He was not afraid to take on small roles even after he became a household name and was known for playing roles of older people from early in his career, including playing former President Rhee Syng-man in his 80s when the actor was actually in his 40s.

He often appeared as husband and wife with fellow actor Kim Hye-ja in hit shows including Country Diaries to Princess Hours (2006), most recently.

Choi last appeared in Chief Detective 1958 (2024), the prequel to the popular TV series Chief Inspector, alongside actor Lee Je-hoon, who plays the grandson of Choi, who follows his grandfather’s path to also become a police detective.

Choi briefly entered politics in 1992, serving as a proportional representation lawmaker in the 14th National Assembly from 1992 to 1996 under the Unification National Party.

The actor’s hallmark laugh and easygoing attitude were traits that made him a beloved figure across different generations.

Choi emceed several current affairs and educational programmes, and his laugh became a favourite for many actors and comedians to imitate.

Being one of the country’s most acclaimed veteran actors, Choi received numerous accolades, including the Baeksang Arts Awards for Best Actor in both TV and theatre, the Daejong Film Awards for Best Actor and national merits.

He was also the first civilian to be appointed as an honourary National Investigation Headquarters director.

In addition to his acting and political career, Choi was devoted to promoting the rights of children and youth.

In recognition of his efforts, his funeral will be hosted by the Chorogusan for Children foundation.

The actor is survived by his longtime wife Kim Min-ja, also an actor, and two children. — Bernama-Yonhap

KUALA LUMPUR, Oct 30 — Malaysian singer-songwriter Hael Husaini has released a new track titled Selesa, a heartfelt single about the bittersweet reality of loving someone enough to let them go.

The track has garnered approximately 5,800 views on YouTube, with viewership continuing to climb following its release at midnight today.

Written and composed by Hael alongside Iqie Hugh, Selesa explores unrequited love, selfless devotion and the sacrifices people make for someone they care deeply about.

The song tells the story of someone who gives their all to a relationship, only to realise that love and commitment are not always enough to secure a future together.

In a particularly heartbreaking turn, the person must eventually accept that their loved one may find happiness with someone else, putting the other person’s feelings ahead of their own despite the pain of letting go.

Through its lyrics, Selesa reflects the emotional struggle of accepting that sometimes walking away is an act of love, even when the person remains close to one’s heart.

In a statement, Hael said the song reflects the realities of love and the lengths people are sometimes willing to go to make someone they cherish happy, even when it means putting their own feelings aside.

“What makes it even more painful is having to help someone we love find happiness with another person, knowing that we are no longer part of that happiness.

“I hope this song can represent the feelings of those who have gone through similar experiences and serve as a companion to those who are learning to let go,” he said.

The official music video will be released tonight at 9pm.

Filmed exclusively in Jakarta, Indonesia, the video brings together talents from Malaysia and Indonesia.

It features popular Malaysian actress Anna Jobling alongside Indonesian actors Antoni Blanco Junior and Mahdy Reza, both of whom have been gaining attention through their appearances in local television dramas.

Jakarta-based director Prialangga helmed the production, translating the song’s emotional depth into a visual narrative that complements its themes of love, sacrifice and unspoken longing.

Selesa follows Hael’s recent release Garah, a collaboration with Mimi Fly, and marks his latest musical offering to fans.

The new single also extends beyond the music scene, having been selected as the main soundtrack for local television drama series Suamiku Anak Mak.

Featuring Emma Maembong, Keith Foo, Izzue Islam and an ensemble cast, the series premiered on October 26 via Astro.

With its themes of complicated relationships and emotional struggles, Selesa adds another layer of depth to the drama, allowing audiences to connect more closely with the characters’ experiences and the conflicts unfolding on screen.

Hael is also preparing to take his music beyond Malaysian shores, with a scheduled performance at the ROUND Festival in South Korea on November 8, 2026.

The upcoming appearance marks another milestone in his musical journey, providing an international platform for the award-winning singer-songwriter to showcase his artistry while bringing Malaysian music to a wider audience.

KUALA LUMPUR, Oct 30 — Malaysia has finally welcomed DCU’s Clayface to the big screen, and audiences have already responded positively.

Despite the positive reception, the film has yet to dent Jailer 2’s box-office dominance, with the Rajinikanth-starrer continuing its run at No. 1.

Street Fighter and Whalefall are also holding their places among the country’s top five cinema releases, joined this week by two fresh arrivals: South Korea’s BTS World Tour ‘ARIRANG’ In Buenos Aires: Live Viewing and Japan’s anime Crayon Shin-Chan The Movie: Spooky! My Yokai Vacation.

The streaming charts are seeing a change of pace as well, with Doctor X: Mafia in White moving ahead of Kudrat 1968 to claim the top spot on Netflix following the conclusion of the latter’s series last week.

Meanwhile, Viu’s horror mystery The Hidden Hand (Dia Perempuan Sialan) continues to lead the platform’s rankings, while Between Steps is keeping viewers engaged on Disney+.

From the latest big-screen releases and popular streaming titles to music chart hits and books hitting the shelves, Malay Mail brings you what’s making waves in entertainment to catch this weekend. 

Top 10 films in local cinemas (Domestic & International) (Oct 22 to Oct 25)

Jailer 2

Clayface 

Street Fighter

Whalefall

BTS World Tour ‘ARIRANG’ In Buenos Aires: Live Viewing

Crayon Shin-Chan The Movie: Spooky! My Yokai Vacation

Other Mommy

Pemuja Syaitan

V

Resident Evil

Top 10 streaming (Oct 19 to Oct 25)

Netflix (Top 10 TV)

TV Series

Doctor X: Mafia in White: Limited Series

Kudrat 1968: High Council

Where the Mask Ends: Season 1

Take Charge of My Heart: Limited Series

100 Days of Deception: Limited Series

Dragon Ball Super: Beerus: Season 1

Below: Limited Series

Shadows of the Ten Ninja: Season 1

Extraordinary Attorney Minami: Season 1

The Exiled Heavy Knight Knows How To Game the System: Season 1

Viu (Top 10 shows)

The Hidden Hand (Dia Perempuan Sialan)

The Exiled Heavy Knight Knows How To Game the System: Season 1 Running Man (2026)

Abang Imam Minah Skuter

Cinta Dalam Sekam

Satu, Dua... Dia?

kiDnap GAME

Dream To You

Whenever Possible Season 5

2 Days 1 Night (Season 4) (2026)

Disney+ (Top 10 shows)

Between Steps: Season 1

The Mob: Season 1

Phony: Season 1

Reasonable Doubt: Season 4

Bleach: Thousand-Year Blood War Part 4

Merry Berry Love: Season 1

VisionQuest: Season 1

The Drop: A Snowfall Saga: Season 1

American Horror Story: Season 13

Red Light Elegy: Season 1

Top 10 songs of the week (Spotify) (Oct 21 to Oct 28)

Great Expectation - SIENNA SPIRO

Teh Hijau - Tulus

Sesi Potret - eńau (w/ Ari Lesmana)

Iqro’ - Raim Laode

The One That Got Away - Katy Perry

Stop The Wedding! - Ashe

Terbelah Jadi Dua - Gloria Jessica (w/ Ade Govinda)

Ain’t In LA - ADÉLA

Cinderella - Mac Miller (w/ Ty Dolla $ign)

Nicole Kidman  - ADÉLA

Top 10 Malay songs of the week (Spotify) (Oct 21 to Oct 28)

Teh Hijau - Tulus 

Gila Bayang - Ammar Haikal

Sayang Orang Sama - Adira Suhaimi 

Tak Adil - Aisha Retno

Kasih Tercipta - Faizal Tahir

Telepati - Aziz Harun

Terbang Original soundtrack from Tarung: Unforgiven - Noh Salleh

Lelaki Teragung - Dayang Nurfaizah

Manifestasi From Kudrat 1968 High Council - Sharul Kamal

Percuma - Mahalini

Top 10 books of the week (October 9 to October 15)

Fiction

Agnes by Viji Krishnamoorthy (PRH SEA)

A Little Life by Hanya Yanagihara (Doubleday)

Strange Pictures by Uketsu (HarperVia)

The Witch by Freida McFadden (Poisoned Pen Press)

Sunrise on the Reaping by Suzanne Collins (Scholastic Press)

Strange Buildings by Uketsu (Pushkin Vertigo)

The Ocean Would Paint Me Blue by Zoulfa Katouh

The Silent Patient by Alex Michaelides (Orion Publishing Group)

Strange Houses by Uketsu (Pushkin Vertigo)

As Long as the Lemon Trees Grow by Zoulfa Katouh (Little, Brown Books for Young Readers)

Non-Fiction

Atomic Habits by James Clear (Avery)

The Malay Dilemma (Reissue Edition) by Mahathir Mohamad (Marshall Cavendish)

Surrounded by Idiots (10th Anniversary Edition) by Thomas Erikson (Vermilion)

I Want to Die, but I Want to Eat Tteokbokki by Baek Sehee (Penerbit Haru)

Dark Psychology and Manipulation by William Cooper (AcePremier)

Everything I Know About Love by Dolly Alderton (Harper)

The Subtle Art of Not Giving a Fck by Mark Manson (HarperCollins)

Read People Like a Book by Patrick King (Big Mind LLC)

Once Upon a Miao (Remastered): I Love My Hometown by Jian Goh (Space Voyager Log PLT)

The Laws of Human Nature by Robert Greene (Penguin Books)

Mutiara Minda (Malay Novels)

Empayar 4: Hikayat Pemburu Naga by Teme Abdullah (Buku IMAN)

Cold Case by Azmeer Shah (Buku Prima)

Bukan Cinta Sempurna by Bellesa (Idea Kreatif)

Syurga Itu Bernama Ibu by Osman Deen (IMAN Sdn Bhd)

Kaisar 2: Kudeta by Jiwa (Nukilan Biruni Trading)

Suspek Tanpa Jejak by Fitri Hussin (RUMAA Books)

Thariq Ridzuwan Commando’s: His Treasure by Hudanajwa (Idea Kreatif)

Rubah Putih by Ramlee Awang Murshid (Buku Prima)

Hamka: Tenggelamnya Kapal Van Der Wijck (Edisi 2026) by Hamka (PTS Publishing House)

Yes! Captain Zul Aaryan by Wnfhanna (Idea Kreatif)

LONDON, Oct 29 — The wife of British comedian and actor Russell Brand testified yesterday at his trial for rape and sexual assault, saying he had found monogamy “difficult” but became an “amazing” husband.

Brand’s trial in London on seven counts of rape, sexual assault and attempted indecent assault, is now in the final stages, with the jury likely to retire to consider a verdict Tuesday.

The London court has heard details from six women of alleged offences including anal, vaginal and oral rape between 1999 and 2009 when Brand rose to fame as a stand-up comedian and television presenter.

If found guilty, the 51-year-old could face up to life in prison. Brand has pleaded not guilty to all the charges, saying that although he used to be promiscuous he always had consensual sex.

His wife Laura Gallacher, who has attended most hearings, sounded confident and calm, as she was questioned by Brand’s lawyer and the prosecution as a character witness.

“Russell, my husband, is caring, he is kind, he is a wonderful father to our children. He is an amazing, attentive husband,” the 39-year-old said, watched by Brand from the dock.

Gallacher and Brand married in 2017 and have three children. She often appears on his YouTube channel with over 6 million subscribers.

She told the court they began dating in 2006, when she was 19.

When they had sex, Gallacher said Brand treated her “very caringly, totally at my pace”.

However she said she realised he was “engaging with other women” and they broke up because “I was not interested in having a relationship with him if he slept with other people.”

“It was clear it was difficult for him to be monogamous,” she said.

Testifying Wednesday, Brand acknowledged he had been “obsessed” with sex and used his fame to “facilitate sexual access”.

Gallacher said she was “very aware” of Brand’s promiscuity, as “you could read about it regularly in the papers”.

Brand was briefly married to US pop star Katy Perry from 2010 to 2011.

Gallacher said they stayed in touch as friends but “probably did not meet” between 2011 and 2014.

Four of the charges relate to years before Brand met Gallacher.

The judge dismissed questions about her view on the allegations.

Two of Brand’s ex-girlfriends also gave statements read out in court.

One, Elia Alvarez Diaz, said they met at drama school in the 1990s. When they dated, he was “promiscuous and unfaithful” and “we had many arguments”, she said. — AFP

PUTRAJAYA, Oct 30 — Popularity may catapult an actor to fame overnight, but talent and work discipline ultimately determine whether they can remain relevant in the entertainment industry over the long term.

Actress Nad Zainal said recognition and fan attention alone were insufficient if performers failed to maintain professional work ethics, particularly on the filming set.

Nad, whose real name is Farah Nadia Zainal Abidin, said popularity could fade at any time, while talent backed by strong discipline could provide the foundation for a sustainable acting career.

“What matters is that we, as actors, understand the importance of discipline on set. We must not let popularity bring us down because it can disappear just like that. It is talent that allows us to remain relevant and sustain our careers,” she told reporters on the sidelines of the Seri Angkasa Awards 2026 (ASA2026) recently.

Commenting on claims that newcomers were more interested in pursuing popularity than honing their acting skills, Nad said it would be unfair to generalise, as many young performers possessed natural talent.

She said the experiences of both herself and her husband, actor Ungku Ismail, when they first entered the industry showed that every actor had a different path to developing their abilities.

“Ungku did not attend acting classes like I did, but I believe he is talented. There are also other actors who have never attended acting classes but are equally talented,” she said.

The Best Actress in a Drama winner at the 2018 Screen Awards acknowledged that popularity and fan support continued to play an important role in an entertainer’s career.

Popularity may catapult an actor to fame overnight, but what determines whether they remain relevant in the entertainment industry is talent and discipline. Actress Nad Zainal said recognition and fan attention alone are not enough if an artiste does not maintain work ethics, particularly on the set. — Bernama pic

However, she said receiving recognition from professional juries in the best acting categories brought a different kind of satisfaction, as performers were assessed based on the quality of their work.

“I have won in a popularity category before, so I would not dismiss its importance. But how wonderful it would be to have our talent assessed by professional judges. Fans are important, but professional recognition is what every actor aspires to,” said Nad, who also won the Popular Female TV Actress award at the 2014 Berita Harian Popular Star Awards.

Nad was previously nominated for Best Supporting Actress in a TV Drama at ASA2026 for the telemovie Dosa Tak Terampun. The award went to Elizad Sharifuddin for Detik Waktu, broadcast on TV Okey.

She also achieved another milestone when she received her first-ever nomination for Best Actress at the 35th Malaysian Film Festival (FFM 35) for the film Denu, after nearly two decades in the acting industry.

In the category, Nad is competing against four other nominees: Mimi Lana for Polong, Sasha Abedul for Malam Terlarang, Aida Amron for Badak and Fish Liew for Pavane For An Infant. — Bernama